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Terracotta altar piece with the Trinity: work by Andrea della Robbia positioned in Arezzo Cathedral
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Terracotta altar piece with the Trinity: work by Andrea della Robbia positioned in Arezzo Cathedral
Terracotta altar piece with the Trinity: work by Andrea della Robbia positioned in Arezzo Cathedral Arezzo Cathedral Altarpiece Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-30 ca.. Date of Artwork:1455-1525 ca.. Artist:Della Robbia, Andrea
Alinari, Fratelli
ACA-F-009702-0000
Media ID 33129301
© Alinari Archives, Florence
Animal Birds Crucifixion Dove Functions And Treatments For The Body Intimate Jesus Christ Christ Child Life And Representations Of The Virgin Life Of Christ Loincloth Madonna And Child Pain Saintrenaissance Abstract Concept And Symbol Christian Religion Subject Trinity Type Of Representation
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EDITORS COMMENTS
This print captures the exquisite beauty of the Terracotta altar piece with the Trinity, a remarkable work by Andrea della Robbia positioned in Arezzo Cathedral. The artwork, created between 1455 and 1525, showcases the artistic brilliance of the Renaissance-Baroque styles and periods. The photograph itself was taken around 1920-30 by Alinari, Fratelli, preserving this timeless masterpiece for generations to come. It provides us with a glimpse into Europe's rich cultural heritage during the first and second millennium A. D. At first glance, one is immediately drawn to the intricate details that adorn this altarpiece. The artist skillfully incorporates various elements such as doves, animals, and allegorical representations to convey profound abstract concepts and symbols. Birds symbolize freedom while vertebrates represent life's interconnectedness. The central focus of this artwork is undoubtedly on the figure of Trinity - God depicted as three distinct persons: Father, Son (Jesus Christ), and Holy Spirit. Surrounding them are depictions of Madonna and Child representing Mary's role in giving birth to Jesus Christ. Other scenes from biblical narratives like crucifixion or life events can also be observed. Della Robbia's attention to detail is evident in every aspect of his creation – from clothing fashion worn by male figures to intimate portrayals of nude human bodies. This altarpiece serves as a testament to Christian religious beliefs prevalent during that period. As we admire this photograph print today, we are reminded not only of its historical significance but also its ability to evoke both physiological and psychological responses within each individual viewer. It stands as an enduring representation of artistry inspired by Bible stories found in New Testament scriptures. Overall, this print offers us an opportunity to appreciate Della Robbia's genius while immersing ourselves in European Renaissance art at its finest.
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