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State of the Republic of Genoa, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

State of the Republic of Genoa, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1782 by Antonio Zatta, Private Collection


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State of the Republic of Genoa, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

State of the Republic of Genoa, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0039

Media ID 33187775

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This 18th-century engraving, titled "State of the Republic of Genoa" is a remarkable piece of artwork that offers us a glimpse into the past. Created by the talented artist G. Zuliani and published in Venice in 1782 by Antonio Zatta, this print showcases the Renaissance-Baroque styles and periods prevalent during that era. The image portrays an intricate map depicting the territory of Genoa, beautifully capturing its geographical features and topography. As we delve deeper into this masterpiece, we are transported to a time when maps were not just practical tools but also works of art. The attention to detail is astounding as every contour and landmark is meticulously etched onto paper. This engraving serves as both an instrument for navigation and a document preserving historical knowledge about one of Europe's most influential republics. Beyond its cartographic significance, this artwork carries symbolic weight. It represents more than just physical boundaries; it embodies an abstract concept – the State of the Republic itself. Through allegory and abstraction, Zuliani masterfully conveys the essence of Genoa's power, influence, and grandeur during this period. As we admire this print from Alinari's private collection in Florence, we are reminded that communication has always been essential throughout history. Maps like these served as vital means for sharing knowledge across vast distances. Dating back over two centuries ago to 1782 when it was created, this engraving stands as a testament to human ingenuity in capturing our world on paper. It bridges multiple eras - connecting us with both the first millennium A. D. , where cartography began to flourish in Europe, and with our present day through its preservation by Alinari since 2009. In conclusion, "State of the Republic of Genoa" is not merely a visual representation; it encapsulates centuries worth of history within its lines and contours – reminding us how art can transcend time while preserving the essence of a bygone era.

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