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The Republic of Lucca with the part of Modena that includes the Garfagnana and the Duchy of Massa and Carrara, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
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The Republic of Lucca with the part of Modena that includes the Garfagnana and the Duchy of Massa and Carrara, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection
The Republic of Lucca with the part of Modena that includes the Garfagnana and the Duchy of Massa and Carrara, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1783 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1783. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0029
Media ID 33187731
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "The Republic of Lucca with the part of Modena that includes the Garfagnana and the Duchy of Massa and Carrara". Created by G. Zuliani, this masterpiece was originally published in Venice in 1783 as part of Antonio Zatta's renowned "Newest Atlas". With its intricate details and impeccable craftsmanship, this artwork represents a true gem from the Renaissance-Baroque styles and periods. It offers a glimpse into Europe during the eighteenth century, capturing both historical accuracy and artistic flair. The print depicts a geographical or topographical map, meticulously drawn to showcase various territories within Italy. The Republic of Lucca takes center stage, surrounded by Modena's region encompassing Garfagnana and the Duchy of Massa and Carrara. This visual representation serves as an instrument for understanding territorial boundaries during that era. Beyond its cartographic significance, this engraving also holds allegorical elements that convey abstract concepts and symbols. It symbolizes communication through maps – a vital means of conveying information in centuries past. As we delve into this piece further, it becomes evident how it encapsulates not only historical context but also cultural richness. The fusion between renaissance baroque styles is apparent in every stroke, showcasing the artist's mastery over his craft. Dating back to 1783 when it was first created by Zuliani G. , this artwork has stood the test of time. Its preservation within private collections speaks volumes about its enduring value. Through Alinari's lens in 2009, we are granted access to appreciate this remarkable piece once again. As we gaze upon it today, let us marvel at how art can transcend time while still providing us with valuable insights into our past.
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