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The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
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The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
The Republic of Holland divided into its provinces, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0068
Media ID 33187643
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Scene Means Of Communication Seaeighteenth Century Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta. The artwork, titled "The Republic of Holland divided into its provinces" offers a mesmerizing glimpse into the Renaissance-Baroque styles and periods prevalent during the eighteenth century. With meticulous attention to detail, Zuliani's engraving depicts a geographical or topographical map of the Republic of Holland, meticulously dividing it into its various provinces. This intricate representation serves as both an instrument and document for understanding the territory and geography of this European nation during that time period. Beyond its practical purpose, this engraving also carries allegorical significance. It symbolizes not only the physical landscape but also abstract concepts associated with Holland's identity and governance. As a scene from Europe's first and second millennium A. D. , it embodies historical importance while reflecting upon communication methods utilized during that era. The artistic style employed here seamlessly combines elements from both Renaissance and Baroque traditions, resulting in a visually stunning piece that captivates viewers even centuries later. Its rich details transport us back to a time when cartography was not merely functional but also celebrated as an art form. This particular print is part of a private collection housed in Florence. Captured in 2009, it beautifully preserves Zuliani's masterpiece created over two centuries prior – testament to how art transcends time and continues to inspire generations across different eras.
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