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The part of Piedmont that contains the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
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The part of Piedmont that contains the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
The part of Piedmont that contains the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0036
Media ID 33187761
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork belongs to a private collection and depicts the part of Piedmont that encompasses various regions such as the District of Turin, Contado of Asti, provinces of Alba, Alessandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po. The intricate details captured in this engraving transport us back to the Renaissance-Baroque styles and periods prevalent during the eighteenth century in Europe. It serves as both a testament to historical cartography techniques and an artistic masterpiece. As we delve into this image further, it becomes evident that it represents far more than just a geographical or topographical map. It embodies an allegory for communication itself - showcasing how maps have long been instrumental documents enabling us to understand our world better. The abstract concepts and symbols within this piece invite contemplation on territory boundaries, cultural diversity across regions, and even political divisions that existed at that time. Through its meticulous graphics and drawings, it encapsulates not only physical landscapes but also intangible elements like shared histories and identities. Dating back almost two centuries before its photograph was taken in 2009 by Alinari (a renowned photography company), this artwork stands as a timeless representation of human curiosity about our surroundings. Its significance lies not only in its historical value but also in its ability to evoke wonderment about past civilizations' understanding of their environment. In summary, this remarkable print captures an enchanting engraving from Antonio Zatta's "Newest Atlas" providing us with insights into eighteenth-century cartography while simultaneously serving as a visual gateway into Piedmont's diverse territories during that era.
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