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Partial view of the Renaissance courtyard of Palazzo della Cancelleria, in Rome, by Bramante. Three gigs are waiting and beneath the portico, a wagon
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Partial view of the Renaissance courtyard of Palazzo della Cancelleria, in Rome, by Bramante. Three gigs are waiting and beneath the portico, a wagon
Partial view of the Renaissance courtyard of Palazzo della Cancelleria, in Rome, by Bramante. Three gigs are waiting and beneath the portico, a wagon Rome Courtyard High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1870-1880 ca.. Date of Artwork:1485-1499, 1503-1513. Artist:Donato di Pascuccio di Antonio known as Bramante
Alinari
PDC-F-003088-0000
Media ID 33271149
© Alinari Archives, Florence
Administrative Administrative Building Courtyard Objecthigh Renaissance Open Gallery Pilaster Portico By Land On The Road
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EDITORS COMMENTS
This photo print, titled "PDC-F-003088-0000" offers a mesmerizing glimpse into the Renaissance courtyard of Palazzo della Cancelleria in Rome, masterfully captured by the renowned artist Donato di Pascuccio di Antonio, also known as Bramante. Dating back to around 1870-1880, this image showcases a partial view of the exquisite architectural elements and decorative features that adorn this historic site. As we delve into the scene depicted in this photograph, our attention is immediately drawn to three majestic gigs patiently waiting beneath the grand portico. The elegant symmetry and meticulous craftsmanship of each gig perfectly complement their surroundings. Beyond them lies an open gallery leading to the heart of this administrative building. The courtyard itself exudes timeless beauty with its impressive pilasters and intricately designed windows. It serves as a testament to Bramante's genius and his ability to seamlessly blend aesthetics with functionality. Intriguingly, amidst all these architectural marvels, we catch sight of a wagon parked nearby. This humble mode of transportation adds an element of realism and human activity within this otherwise serene setting. Perhaps it signifies bustling daily life or hints at journeys yet to be embarked upon. Alinari's skillful photography captures not only the physical structure but also evokes emotions associated with movement and transportation during that era. The inclusion of such details allows us to immerse ourselves fully in history while appreciating both artistry and practicality. With its rich historical context dating back from 1485-1499 until 1503-1513 when Bramante worked on Palazzo della Cancelleria's construction, combined with Alinari's artistic vision behind the lens; this print becomes more than just an image—it becomes a portal through which we can explore Rome's architectural heritage and transport ourselves back in time.
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