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The Palatinates of Braclaw and Kiovia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
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The Palatinates of Braclaw and Kiovia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
The Palatinates of Braclaw and Kiovia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0037
Media ID 33189711
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases "The Palatinates of Braclaw and Kiovia" an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. Housed in a private collection, this artwork represents the epitome of Florence Engraving from the eighteenth century. The intricately detailed engraving transports us back to Renaissance-Baroque Europe, capturing the essence of that era with its grandeur and opulence. The artist's skillful execution brings forth a sense of timelessness as we delve into the rich history depicted within. As we gaze upon this masterpiece, our eyes are drawn to the meticulous rendering of geographical features. The topographical map takes center stage, showcasing the territories of Braclaw and Kiovia with utmost precision. This serves not only as a means of communication but also as an allegory for power and control over these lands. Beyond its cartographic significance, this artwork delves deeper into abstract concepts and symbols prevalent during that period. It symbolizes territorial dominance while simultaneously serving as an instrument documenting historical boundaries. The composition exudes a harmonious blend between artistry and scientific accuracy—a testament to both Zuliani's talent and his dedication to portraying geography through artistic expression. Dating back to 1781 when it was created, this piece has stood the test of time—its relevance extending beyond centuries. Through Alinari's lens in 2009, we are able to appreciate every intricate detail captured on film—an everlasting tribute to Zuliani's vision. In conclusion, this remarkable engraving encapsulates not only a specific moment in history but also embodies broader themes such as communication, territory, symbolism, and artistic styles prevalent during Europe's Renaissance-Baroque periods—the perfect fusion between artistry and cartography brought together by two masterful minds: G. Zuliani and Antonio Zatta.
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