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Northern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection
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Northern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection
Northern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1779. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0052
Media ID 33187593
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta. The artwork, now part of a private collection in Florence, depicts Northern Scotland divided into its counties with exquisite detail and precision. The engraving reflects the artistic styles and periods of Renaissance-Baroque that were prevalent during the eighteenth century in Europe. It serves as a testament to the mastery of both cartography and allegory, capturing not only geographical information but also abstract concepts and symbols associated with this magnificent territory. As we delve into this piece, it becomes apparent that it is more than just a map; it is an instrument for communication. Through its intricate lines and carefully etched features, it conveys the rich history and cultural significance of Northern Scotland. The artist's skillful rendering transports us back to a time when maps were not merely utilitarian tools but works of art meant to inspire awe and curiosity about distant lands. This particular artwork holds immense value as it bridges two different centuries - captured on film in 2009 while originating from Zuliani's hand over two hundred years prior. With its depiction of sea, islands, and topographical elements, this engraving offers viewers an immersive experience into the geography of Northern Scotland during the late eighteenth century. Its historical importance cannot be overstated as it provides insights into how people perceived their world at that time. Alinari has beautifully preserved this masterpiece through photography without compromising any details or essence conveyed by Zuliani's original work. As we gaze upon this extraordinary image today, we are reminded once again that art transcends time itself – connecting us to our past while inspiring future generations to explore new horizons.
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