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Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1778 by Antonio Zatta, Private Collection


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Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection

Land of the Ottawa and Kilistine Indians around Lake Superior and a supplement of eastern Florida, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0057

Media ID 33187603

© Alinari Archives, Florence

American Indians Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Native Populations Of The Americas North American Indians Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed Ethnography And Folklore Population And Nationality


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EDITORS COMMENTS
This print showcases an engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork itself is a testament to the Renaissance-Baroque styles and periods that flourished during the eighteenth century in Europe. The image depicts the Land of the Ottawa and Kilistine Indians around Lake Superior, offering a glimpse into the rich tapestry of North American indigenous populations. The supplement also includes eastern Florida, providing a comprehensive view of these native territories. Through this intricate engraving, Zuliani masterfully captures both geographical and topographical elements, showcasing his expertise as a cartographer. This artwork serves as an instrument and document that not only conveys vital information about land formations but also symbolizes cultural heritage and anthropological significance. The scene depicted transports viewers back to the first and second millennium A. D. , allowing them to immerse themselves in history while appreciating its artistic representation. It evokes a sense of awe at how communication was facilitated through maps during this era. As we delve deeper into this mesmerizing piece, it becomes evident that it represents more than just physical landscapes; it embodies abstract concepts such as territory, nationality, population dynamics, and folklore associated with Native American communities. The presence of sea, lake, islands further enhances our understanding of these regions' natural beauty while highlighting their importance for trade routes or strategic locations throughout history. Overall, this remarkable print offers us an opportunity to explore diverse cultures through artistry—a bridge connecting past civilizations with contemporary audiences. Its historical significance combined with its aesthetic appeal makes it a valuable addition to any private collection or exhibition space.

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