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The islands of Newfoundland and Cape Breton, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The islands of Newfoundland and Cape Breton, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
The islands of Newfoundland and Cape Breton, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0055
Media ID 33187597
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. The artwork, part of a private collection in Florence, transports us back to the eighteenth century and immerses us in the Renaissance-Baroque styles and periods that characterized Europe during this time. The focal point of this engraving is the stunning islands of Newfoundland and Cape Breton, beautifully depicted with intricate detail and precision. These islands hold a significant place in history as they served as crucial territories for exploration and trade during the first and second millennium A. D. Through this artwork, Zuliani skillfully combines elements of cartography, graphics, drawing, and territory to create an allegorical representation of these islands. It serves not only as a geographical or topographical map but also as an instrument for communication. The vastness of the sea surrounding these islands adds depth to the scene while symbolizing both isolation and connection. This abstract concept resonates with viewers even today – reminding us that despite our physical separation across different lands, we are all interconnected through means of communication. As we admire this remarkable piece from Alinari's collection dating back to 1778 but photographed in 2009, we are transported into a world where art becomes a powerful tool for expressing concepts beyond its tangible form. The fusion between renaissance baroque styles and periods further enhances our appreciation for this masterpiece's historical significance. In conclusion, this print captures not just an image but also encapsulates centuries worth of human ingenuity – showcasing how art can transcend time while preserving our collective heritage.
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