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Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1782 by Antonio Zatta, Private Collection


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Alinari

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Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0034

Media ID 33187755

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork depicts the Duchy of Savoy, including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise, and the County of Maurienne. The intricate details and precision captured in this engraving transport us back to a time when cartography was not only a means of communication but also an art form. It beautifully combines elements from both Renaissance-Baroque styles and periods. As we delve into this visual masterpiece, we are reminded that maps are more than just geographical or topographical representations; they hold within them allegories and abstract concepts that shape our understanding of territories. This particular map takes us on a journey through eighteenth-century Europe, offering insights into its political landscape during that era. The significance of this artwork is further enhanced by its inclusion in private collections such as Florence Engraving Eighteenth Century. Its presence there speaks volumes about its historical value and artistic merit. Through this photograph taken by Alinari in 2009, we can appreciate how drawing and graphics have played a crucial role throughout history as instruments for documenting our world. They serve as tangible evidence connecting us to past civilizations while allowing us to explore new horizons. In conclusion, this remarkable print invites us to marvel at the craftsmanship behind Zuliani's engraving while immersing ourselves in centuries-old knowledge preserved within these lines and symbols.

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