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Bas-relief of the Ark of St. Terenzio representing the angel who invites the blind to go to the saint.. The Ark already attributed to Agostino di Duccio and to Pietro Lombardo is the work of an anonymous sculpturer of the Tuscan School. Cathedral, Faenza

Bas-relief of the Ark of St. Terenzio representing the angel who invites the blind to go to the saint.. The Ark already attributed to Agostino di Duccio and to Pietro Lombardo is the work of an anonymous sculpturer of the Tuscan School. Cathedral, Faenza


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Alinari

Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia

Bas-relief of the Ark of St. Terenzio representing the angel who invites the blind to go to the saint.. The Ark already attributed to Agostino di Duccio and to Pietro Lombardo is the work of an anonymous sculpturer of the Tuscan School. Cathedral, Faenza

Bas-relief of the Ark of St. Terenzio representing the angel who invites the blind to go to the saint.. The Ark already attributed to Agostino di Duccio and to Pietro Lombardo is the work of an anonymous sculpturer of the Tuscan School. Cathedral, Faenza Faenza Cathedral, chapel, right angle Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1939 ca.. Date of Artwork:1461 ca

Alinari, Fratelli
ACA-F-048087-0000

Media ID 33140546

© Alinari Archives, Florence

Bedroom Blindness Disease Or Disorder Medicine Room Christian Religion


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > D > Agostino di Duccio

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Europe > Italy > Emilia-Romagna > Faenza

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends


EDITORS COMMENTS
This print showcases the Bas-relief of the Ark of St. Terenzio, a remarkable piece of art found in Faenza Cathedral. The bas-relief depicts an angel inviting the blind to seek solace with the saint, symbolizing hope and healing. The origins of this extraordinary artwork have been a subject of debate among scholars. While it was initially attributed to renowned sculptors Agostino di Duccio and Pietro Lombardo, recent research has revealed that it is actually the creation of an anonymous sculptor from the Tuscan School. This discovery adds another layer of intrigue to its historical significance. Dating back to around 1461, during the Early Renaissance period, this bas-relief represents a fusion of Renaissance-Baroque styles and periods. Its intricate details and masterful craftsmanship exemplify Europe's artistic prowess during this era. The photograph itself was taken circa 1939 by Alinari, Fratelli - a name synonymous with capturing timeless beauty through their lens. It provides us with a glimpse into both the grandeur of Faenza Cathedral's chapel and its exquisite architectural elements. Beyond its aesthetic appeal, this image also evokes profound themes such as faith, spirituality, and compassion. The presence of an angel guiding those afflicted by blindness towards Saint Terenzio signifies divine intervention in times of affliction. Moreover, it serves as a reminder that art can transcend time and space while offering solace to those who seek comfort within religious narratives. Through its portrayal of Christian symbolism intertwined with early Renaissance fashion trends, this bas-relief becomes not just an artistic masterpiece but also a testament to humanity's enduring quest for meaning. In summary, Alinari's photograph immortalizes the Bas-relief of the Ark St. Terenzio—a poignant representation that invites contemplation on matters beyond our physical realm—faith in times adversity and finding light amidst darkness.

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