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Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection

Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1777 by Antonio Zatta, Private Collection


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Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection

Asia divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1777. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0011

Media ID 33187495

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta. The artwork, now part of a private collection in Florence, beautifully depicts Asia divided into its main states during the eighteenth century. With its Renaissance-Baroque style and period influences, this piece transports us back to a time when cartography was not only a means of communication but also an art form. The intricate details and precision of the drawing highlight the artist's skill and dedication to accurately representing the geography of Asia at that time. The image evokes a sense of wonder as we explore the vast territories depicted on this map. It serves as both an instrument and document, providing valuable insights into historical boundaries and political divisions within Asia during the first and second millennium A. D. Beyond its geographical significance, this engraving holds allegorical elements that invite interpretation. Its abstract concepts and symbols hint at deeper meanings associated with power dynamics, cultural exchange, or even colonial aspirations prevalent during that era. Through this photograph captured in 2009 by Alinari - renowned for their expertise in documenting artworks - we are able to appreciate not only Zuliani's artistic prowess but also gain insight into Europe's fascination with exploration and discovery during the Renaissance-Baroque periods. As we delve into this visual representation of history, it becomes evident how maps have long served as essential tools for understanding our world. They provide glimpses into different epochs while reminding us of humanity's ceaseless pursuit to comprehend our surroundings – a timeless endeavor reflected through centuries-old engravings like this one.

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