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Africa divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
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Africa divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection
Africa divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1776. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0013
Media ID 33187501
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta. The artwork, now part of a private collection in Florence, transports us back to the Renaissance-Baroque styles and periods of eighteenth-century Europe. In this meticulously crafted piece, Africa is divided into its main states with remarkable precision and attention to detail. The artist's skillful hand brings forth a sense of grandeur and importance as each state is delicately delineated on the map. This engraving serves not only as a geographical or topographical representation but also as an allegory for the diverse territories that make up this vast continent. The abstract concept and symbol behind this artwork are further enhanced by its historical significance. Dating back to 1776, it offers us a glimpse into the world during the first and second millennium A. D. , providing valuable insights into how cartography evolved over time. As we admire this masterpiece, we are reminded of the power of drawing and graphics as means of communication throughout history. It serves as both an instrument and document that encapsulates our understanding of geography at that particular moment in time. With its rich colors and intricate details, this engraving stands out as a testament to human curiosity about our world's landscapes. Its presence evokes feelings of wonderment while simultaneously serving as a reminder that even centuries ago, people sought ways to visually represent their surroundings. Through Alinari's lens capturing this extraordinary artwork in 2009, we can appreciate not only its beauty but also gain insight into how art has played an integral role in shaping our understanding of different cultures and regions across time.
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