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Acrylic Blox : Lazaruss resurrection painted by Jean- Marie Vien in 1747
Mounted Prints from Robert Harding
Lazaruss resurrection painted by Jean- Marie Vien in 1747
Lazaruss resurrection painted by Jean- Marie Vien in 1747, Sainte Marthe de Tarascon Abbey, Frigolet, Bouches du Rhone, France, Europe
Robert Harding Picture Library provides high quality travel, nature, wildlife & environmental photos
Media ID 19950017
© Godong
Abbey Abbeys Bouches Du Rhone Christ Close Ups Details Fresco Frescoes Jesus Mural Murals Painting Wall Painting Wall Paintings Lazarus Raising Of Lazarus Vien
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> Architecture
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> Canton
> Bouches du Rhone
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> Rhone
> Religious Art
> Religious Architecture
EDITORS COMMENTS
Step into the serene and majestic world of 18th-century French art with this stunning print of Lazarus' Resurrection, painted by Jean-Marie Vien in 1747. Captured at Sainte Marthe de Tarascon Abbey in Frigolet, Bouches du Rhone, France, this breathtaking fresco is a masterpiece that transports us to a bygone era.
As we gaze upon the vibrant colors and intricate details of this mural, we are transported to a moment in time when faith and devotion reigned supreme. The scene depicts the miraculous resurrection of Lazarus by Jesus Christ, as described in the New Testament. With tender care and compassion on his face, Jesus reaches out to awaken Lazarus from his tomb.
The abbey's ornate architecture provides a striking backdrop for this powerful work of art. The golden hues and delicate stonework seem to glow with an otherworldly light, drawing our attention to the central figure of Christ. Meanwhile, the surrounding figures – including Mary Magdalene and other disciples – appear as mere silhouettes against the radiant background.
This image is not only a testament to Vien's skillful brushstrokes but also an enduring symbol of hope and redemption. As we marvel at its beauty today, we are reminded that even amidst darkness and despair, there is always room for renewal and rebirth.
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