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Acrylic Blox : Holy man begging outside a temple, Vrindavan, Uttar Pradesh, India, Asia
Mounted Prints from Robert Harding
Holy man begging outside a temple, Vrindavan, Uttar Pradesh, India, Asia
Robert Harding Picture Library provides high quality travel, nature, wildlife & environmental photos
Media ID 19954985
© Godong
Beard Coin Currency Hinduism Holy Man Indian Culture Orange Colour Stereotypical Stereotypically Indian Tilaka Traditional Ceremony Traditional Clothing Traditionally Indian Typically Indian Uttar Pradesh Vrindavan Begging Begging Bowl From Above
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print by Philippe Lissac captures the essence of traditional Indian culture in Vrindavan, Uttar Pradesh. In this image, a holy man can be seen sitting outside a temple, his begging bowl held out in hopes of receiving alms from devotees. The vibrant colors and intricate details of his traditional clothing reflect the rich heritage and customs that are typically associated with India. The high angle view allows us to observe the scene from above, emphasizing the contrast between the bright orange robes of the holy man and the yellow coins scattered within his bowl. This composition not only highlights his humble act of begging but also symbolizes the spiritual significance attached to charity in Hinduism. As we gaze upon this photograph, we are transported to a world where tradition meets devotion. The serene expression on the holy man's face suggests a deep sense of faith and contentment amidst challenging circumstances. It serves as a reminder that even in our modern society, there are individuals who choose to lead lives dedicated to spirituality and service. Lissac's skillful portrayal invites us to contemplate both cultural stereotypes and our own preconceived notions about religious practices around the globe. Through this powerful image, we gain insight into an age-old tradition that continues to shape communities like Vrindavan today.
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