Acrylic Blox > Arts > Minimalist artwork > Abstract art > Paintings
Acrylic Blox : The Imposition (Prospect Room, Wollaton Hall, February 2006) by Helena Ben-Zenou
Mounted Prints from Nottingham City Council
The Imposition (Prospect Room, Wollaton Hall, February 2006) by Helena Ben-Zenou
A large dynamic painting, inspired by renovation work in the Prospect Room, Wollaton Hall, February 2006, initially appearing to be an abstract arrangement of angular lines in black, grey and white with dull orange areas. A red and white striped band forms a diagonal across the top area of the painting. A strong white band on the left leads from top to bottom at a slight angle, other lines in grey and orange can be read as scaffolding; windows and stonework can be found in the background. Many areas are textured: the orange areas contain sandstone dust from Wollaton Hall
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Media ID 5794635
Architecture Park Wollaton Wollaton Hall Building Work Grounds Renovation Scaffolding
8"x6" (20x15cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 20.3cm (6" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Imposition (Prospect Room, Wollaton Hall, February 2006)
EDITORS COMMENTS
is a captivating print by Helena Ben-Zenou that captures the essence of renovation work in the historic Prospect Room of Wollaton Hall. The large dynamic painting initially appears as an abstract arrangement of angular lines in black, grey, and white with dull orange areas. However, upon closer inspection, one can discern the presence of scaffolding depicted through various shades of grey and orange. The painting also incorporates elements from its architectural surroundings. Windows and stonework emerge subtly in the background, adding depth to the composition. A striking red and white striped band forms a diagonal across the top area of the artwork, drawing attention to its vibrant energy. What makes this piece truly unique is its textured nature. The artist has incorporated sandstone dust from Wollaton Hall into the orange areas of the painting, creating a tangible connection between art and architecture. This print not only showcases Ben-Zenou's artistic talent but also serves as a visual documentation of building work at Wollaton Hall during that period. It encapsulates both the beauty and complexity involved in renovating such historical landmarks. With its blend of abstract design elements and architectural references, "The Imposition" invites viewers to explore themes such as transformation, preservation, and progress within our built environment.
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