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Acrylic Blox : Miriam Clements, actress, studio portrait in corseted gown
Mounted Prints from Mary Evans Picture Library
Miriam Clements, actress, studio portrait in corseted gown
Miriam Clements, actress (died 1954), studio portrait in corseted gown with black satin shoulders and dotted gauze sleeves. Miriam Clements was the subject of many theatrical postcards and cabinet cards. She married Cecil Ainslie Walker-Leigh. Date: 1895
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Media ID 32250936
© Illustrated London News Ltd/Mary Evans
Clements Dotted Gauze Gown Miriam Satin Shoulders Sleeves 1895 Corseted
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Miriam Clements: A Victorian Actress in Her Element Miriam Clements (1869-1954), an accomplished actress of the late Victorian era, poses gracefully in this stunning studio portrait from 1895. The photograph captures Clements in a corseted gown, a popular fashion choice for theatrical performances during this time. The gown's black satin shoulders add an air of sophistication and elegance, while the dotted gauze sleeves add a touch of playfulness and lightness. Clements was a frequent subject of theatrical postcards and cabinet cards, which were popular collector's items during the late 19th century. Her captivating stage presence and striking beauty made her a favorite among audiences and collectors alike. In this portrait, Clements exudes confidence and allure, drawing the viewer in with her piercing gaze and elegant posture. The Victorian era, with its emphasis on opulence and refinement, is brought to life in this image. The intricate details of Clements' gown, from the satin fabric to the delicate dots on her sleeves, are a testament to the craftsmanship and artistry of the time. The portrait also serves as a reminder of the golden age of theatre, when actors and actresses were revered for their talents and captivated audiences with their performances. Miriam Clements' marriage to Cecil Ainslie Walker-Leigh in 1897 only added to her allure and mystique. The couple's union was the talk of the town, and Clements continued to captivate audiences on the stage for decades to come. This portrait, taken just two years before her marriage, offers a glimpse into the life of a talented and enigmatic actress who left an indelible mark on the Victorian theatre scene.
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