Acrylic Blox > Animals > Mammals > Cricetidae > Picta
Acrylic Blox : Tree gloxinia, Kohleria amabilis
Mounted Prints from Mary Evans Picture Library
Tree gloxinia, Kohleria amabilis
Tree gloxinia, Kohleria amabilis (Painted achimenes, Achimenes picta). Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweets Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854
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Media ID 23206728
© Florilegius/Mary Evans
Barclay Drake Gloxinia Lindley Ornamental Picta Sarah Shrubbery Sweet Amabilis Miss
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This exquisite hand-colored copperplate engraving showcases the captivating beauty of Kohleria amabilis, also known as the Tree Gloxinia or Painted Achimenes (Achimenes picta). The image, created by the skilled hand of G. Barclay, is based on a live specimen observed by Miss Sarah Drake and meticulously documented in John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, published in London in 1854 by G. Willis. The Kohleria amabilis is a stunning epiphytic plant native to the Andes Mountains in South America. Its elegant, tubular flowers bloom in a breathtaking array of colors, from deep red and pink to white and purple. In this illustration, we can appreciate the intricate details of its delicate petals, veined leaves, and the delicate tendrils that cling to the tree branches. The botanical illustration captures the essence of the Kohleria amabilis, providing an accurate and detailed record of its appearance for scientific and horticultural purposes. The hand-coloring adds an extra layer of beauty and vibrancy to the engraving, making it a true work of art. This engraving is a testament to the dedication and passion of the botanical community during the Victorian era, who sought to document and preserve the natural world through meticulous illustrations. Today, it remains an invaluable resource for botanical research and a source of inspiration for gardeners and nature enthusiasts alike.
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