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Acrylic Blox : Seven hats designed by French milliner Arlette Carus
Mounted Prints from Mary Evans Picture Library
Seven hats designed by French milliner Arlette Carus
Seven hats designed by French milliner Arlette Carus. Chapeaux par Arlette Carus. Handcoloured pochoir (stencil) etching after an illustration by Eiger from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1914
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23374148
© Florilegius
Antongini Arlette Ballets Belle Chic Dames Epoque Etching Honore Journal Milliner Modes Orientalism Parisiens Pekine Pochoir Racetrack Robe Russes Stencil Stripe Taffeta Taffetas Tommaso Tunic Carus Deco Designed
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Seven Enchanting Hats by French Milliner Arlette Carus: A Vibrant Journey through Fashionable Paris in 1914 Step into the captivating world of early 20th-century Parisian high society with this stunning collection of seven hats designed by the renowned French milliner, Arlette Carus. This exquisite image, taken from Tommaso Antongini's Journal des Dames et des Modes, showcases the artistic brilliance of Arlette Carus and the fashionable elegance of Parisian women during the Belle Époque and Art Deco eras. The seven hats, each a unique work of art, are adorned with intricate handcoloured pochoir (stencil) etchings that evoke the essence of Orientalism, the Ballets Russes, and the glamour of the racetrack. The first hat, a striped chapeau, features a playful design reminiscent of the racetrack scene, while the second hat, a poquo de Pekin, is a stunning example of Orientalist influences in fashion. The third and fourth hats, both made of taffeta, showcase the versatility of the fabric in millinery art. The first taffeta hat is a simple yet elegant tunic, while the second taffeta hat is a more extravagant robe à taffetas, adorned with intricate floral patterns. The fifth hat, a deceptively simple-looking beret, is a testament to Arlette Carus's mastery of the craft. The sixth hat, a wide-brimmed hat with a delicate floral design, exudes an air of sophistication and charm. The seventh and final hat, a tall, ornate hat with a dramatic feather, is a true showstopper, perfect for making a grand entrance at any social event. This beautiful plate, a treasure from the Journal des Dames et des Modes, offers a glimpse into the world of Parisian fashion during a time of great artistic and cultural innovation. Arlette Carus's hats, with their timeless beauty and intricate designs, continue to inspire and delight fashion enthusiasts to this day.
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