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Acrylic Blox : Front cover of The Tatler featuring a portrait of Countess Poulett
Mounted Prints from Mary Evans Picture Library
Front cover of The Tatler featuring a portrait of Countess Poulett
Front cover of The Tatler featuring a portrait of Countess Poulett, formerly the actress Sylvia Storey, who married Lord Poulett in 1908. Storey was the daughter of the Gaiety comedian Fred Storey, and appeared in Havana. She retired from the stage on her marriage. Date: 1908
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23428010
© Illustrated London News Ltd/Mary Evans
Actresses Apr21 Countess Marriages Married Peerage Poulett Rank Storey Sylvia Tatler Upper
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Image Size (if not cropped) is 9.5cm x 15.2cm (3.7" x 6")
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Grace and Glamour: A Transformation from Stage to Society - The Countess Poulett's Tatler Debut The front cover of this issue of The Tatler, dated 1908, features a captivating portrait of the Countess Poulett, formerly known as Sylvia Storey. Born into the world of theatre as the daughter of the renowned Gaiety comedian Fred Storey, Sylvia's acting career began in earnest. Her talent and allure were showcased on the stage, most notably in the production of Havana. However, love called, and Sylvia answered, retiring from the limelight upon her marriage to the noble Lord Poulett. As the daughter of a theatrical family, Sylvia's entrance into high society was met with great anticipation. The Tatler, a leading society publication of the time, was the first to capture her image in her new role as a countess. The portrait, with its elegant composition and Sylvia's enchanting smile, encapsulates the grace and poise that came with her newfound rank. The transition from actress to countess was a common occurrence during the Edwardian era, as many young women from the theatre found themselves marrying into the upper classes. Sylvia's story is a testament to the transformative power of love and the allure of the peerage. This striking portrait, published on the front cover of The Tatler, serves as a reminder of the societal norms and expectations of the time, as well as the enduring allure of the theatre and the aristocracy.
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