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Acrylic Blox : The Best People, by Gray and Hopgood
Mounted Prints from Mary Evans Picture Library
The Best People, by Gray and Hopgood
The Best People, a comedy by David Gray and Avery P Hopgood. First produced in England at the Grand Theatre, Blackpool, March 1926, and later the same month at the Lyric Theatre, London. The pile of thick books are Debretts, Burkes Peerage and Whos Who 1926. Production by Herbert Clayton and Jack Waller. Date: 1926
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Media ID 14402717
© The Michael Diamond Collection / Mary Evans Picture Library
Avery Best Blackpool Comedy Gray Lyric Performance Pile Posh Snobbery Snobbish Snooty 1926 Snobs
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph offers a glimpse into the world of high society in 1920s London, as depicted in the comedy "The Best People" by David Gray and Avery Hopgood. The play, which premiered at the Grand Theatre in Blackpool in March 1926 and later transferred to the Lyric Theatre in London, was a witty commentary on the snobbery and pretentiousness of the upper classes. The image shows a well-dressed couple, with the woman delicately flipping through the pages of Debrett's, Burke's Peerage, and Who's Who 1926. These authoritative reference books were essential tools for the British elite, used to establish one's social standing and connections. The man, with a smug expression on his face, looks on approvingly, no doubt relishing in the couple's perceived superiority. The production of "The Best People" was overseen by Herbert Clayton and Jack Waller, who brought the satirical script to life on the stage. The play poked fun at the snobbish behavior of the upper classes, exposing their pretensions and revealing the absurdity of their social hierarchies. The comedy was a hit with audiences, who appreciated the sharp wit and insightful commentary on the society of the time. This photograph is a fascinating snapshot of a bygone era, transporting us back to the glamour and sophistication of 1920s London, where appearances mattered and social status reigned supreme.
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