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Acrylic Blox : Fire Monument Built Safes Columns Ruins George N
Mounted Prints from Liszt Collection
Fire Monument Built Safes Columns Ruins George N
Fire Monument, to be Built of Safes and Columns taken from the Ruins; George N. Barnard (American, 1819 - 1902); Chicago, Illinois, United States; 1872; Albumen silver print
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18484948
© Liszt Collection
1819 1872 1902 Barnard Built Chicago Columns George N Illinois Safes
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures a unique piece of history in the form of the "Fire Monument Built Safes Columns Ruins" by George N. Barnard. Taken in 1872, this albumen silver print showcases the aftermath of a devastating fire that swept through Chicago, Illinois. The image portrays an extraordinary monument constructed entirely from salvaged safes and columns found amidst the ruins left behind by the fire. The artist's keen eye for composition is evident as he frames this remarkable structure against a backdrop of destruction, emphasizing its significance as a symbol of resilience and rebirth. Barnard's choice to capture this moment on film allows us to witness firsthand how art can emerge from tragedy. The juxtaposition between the strength and solidity of the safes and columns against the charred remnants serves as a powerful metaphor for human perseverance in times of adversity. As we gaze upon this photograph, we are transported back to that fateful day when chaos reigned supreme. Yet within these ruins lies hope; hope that even after witnessing such devastation, humanity can rise above it all and create something beautiful. This print from Liszt Collection not only documents an important historical event but also invites us to reflect on our own ability to rebuild and find solace amidst turmoil. It stands as a testament to both George N. Barnard's artistic vision and Chicago's indomitable spirit.
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