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Acrylic Blox : Montreuil-Sur-Mer, France, c1907. Artist: William Henry Charlton

Montreuil-Sur-Mer, France, c1907. Artist: William Henry Charlton



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Montreuil-Sur-Mer, France, c1907. Artist: William Henry Charlton

Montreuil-Sur-Mer, France, c1907. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Heritage Images features heritage image collections

Media ID 14967205

© The Print Collector

Cart Charlton Covered Wagon Farmhouse Studio Publications Studio Volume 41 Waggon Wagon William Henry Faaade


6"x4" (15x10cm) Acrylic Blox

Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.

Streamlined, one sided modern and attractive table top print

Estimated Product Size is 15.2cm x 10.2cm (6" x 4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > D > William Day

> Arts > Artists > Related Images

> Arts > Artists > W > William White

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Montreuil

> Europe > United Kingdom > England > London > Towns > Charlton


EDITORS COMMENTS
This print takes us back to Montreuil-Sur-Mer, France, in the early 20th century. The artist behind this remarkable piece is William Henry Charlton, who beautifully captures the essence of rural life during that time. The image showcases a picturesque landscape with a charming farmhouse as its centerpiece. Surrounding it are lush fields and rolling hills, highlighting the agricultural importance of the region. A horse-drawn cart stands outside the house, symbolizing traditional means of transportation and emphasizing the reliance on animals for daily tasks. Intriguingly, a pig can be seen wandering nearby, adding an unexpected element to this tranquil scene. It serves as a reminder of the diverse array of livestock that played vital roles in sustaining rural communities. Charlton's attention to detail is evident in his portrayal of architectural elements such as the facade and covered wagon. These structures provide insight into local craftsmanship and historical building practices prevalent at that time. The monochrome palette enhances both the simplicity and timeless quality of this photograph while evoking nostalgia for bygone eras. Published in The Studio Volume 41 by Studio Publications in London, this print has become an invaluable historical document capturing Montreuil-Sur-Mer's beauty over a century ago. Through Charlton's lens, we are transported to another era where nature intertwined seamlessly with human existence—a testament to our enduring connection with land and animals throughout history.

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