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Acrylic Blox : The Actors Segawa Kikunojo II, Ichikawa Komazo II, and Arashi Otohachi I in the play "Fude... 1768. Creator: Torii Kiyotsune
Mounted Prints from Heritage Images
The Actors Segawa Kikunojo II, Ichikawa Komazo II, and Arashi Otohachi I in the play "Fude... 1768. Creator: Torii Kiyotsune
The Actors Segawa Kikunojo II, Ichikawa Komazo II, and Arashi Otohachi I in the play " Fude Hajime Soga no Tamazusa, " performed at the Nakamura Theater in the first month, 1768, 1768
Heritage Images features heritage image collections
Media ID 25325191
© Heritage Art/Heritage Images
Bell Benizuri E Branches Cartouche Drag Female Impersonator Hanataka Koshiro Hosoban Hosoban Benizuri E Ichikawa Komazo Ichikawa Komazo Ii Kabuki Kabuki Actor Kikunojo Ii Kikunojo Segawa Kikunojo Segawa Ii Komazo Ichikawa Komazo Ii Matsumoto Koshiro V Nakamura Theatre Onnagata Oyama Segawa Kikunojō Ii Color Woodblock Print Playhouse Posture
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print by Torii Kiyotsune showcases the esteemed actors Segawa Kikunojo II, Ichikawa Komazo II, and Arashi Otohachi I in a mesmerizing play titled "Fude Hajime Soga no Tamazusa". The image transports us back to the vibrant world of 18th-century Japan during the Edo period. The actors are dressed in exquisite traditional costumes that epitomize the fashion of their time. Their colorful kimonos and elaborate accessories reflect the attention to detail and artistry prevalent in Japanese culture. Each actor exudes a unique presence, capturing our attention with their expressive gestures and postures. Kiyotsune's masterful use of color woodblock printing brings this scene to life. The intricate details of the actors' apparel, from delicate patterns on their garments to carefully crafted hairstyles, are beautifully rendered through his skillful technique. As we delve into this snapshot from history, we witness not only a theatrical performance but also an exploration of gender roles within Kabuki theater. Arashi Otohachi I portrays a female impersonator or "onnagata" showcasing his talent for embodying feminine grace and elegance. This print serves as a testament to both Kiyotsune's artistic prowess and the rich cultural heritage of Japan. It invites us to appreciate the beauty found within Asian arts while providing insight into historical entertainment practices that continue to captivate audiences today.
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