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Acrylic Blox : BOTANY: FEMALE MANDRAKE. Woodcut from Pietro Andrea Mattiolis Commentaires, Lyons
Mounted Prints from Granger
BOTANY: FEMALE MANDRAKE. Woodcut from Pietro Andrea Mattiolis Commentaires, Lyons
BOTANY: FEMALE MANDRAKE.
Woodcut from Pietro Andrea Mattiolis Commentaires, Lyons, France, 1579
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12407526
1579 Andrea Biology Botany Commentaries Herb Mandrake Mattioli Petrus Pietro Root
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This woodcut print from 1579 showcases the intriguing world of botany and the Renaissance era. Titled "Botany: Female Mandrake" it is a remarkable illustration taken from Pietro Andrea Mattioli's Commentaires, published in Lyons, France. The intricate details and delicate lines of this woodcut bring to life the enchanting beauty of nature. The focus of this print is on the female mandrake plant, a herb renowned for its mystical properties and association with folklore. The artist skillfully captures its unique form, depicting a slender root that resembles a woman's figure. This portrayal highlights the deep connection between women and plants in ancient beliefs. Pietro Andrea Mattioli was an esteemed Italian physician and botanist who made significant contributions to botanical studies during his time. His Commentaires served as an essential reference for scholars interested in understanding medicinal plants and their uses. This woodcut exemplifies not only Mattioli's expertise but also reflects the artistic style prevalent during the Renaissance period. Its inclusion in botanical literature signifies an era where science, art, and nature intertwined seamlessly. As we admire this historical artwork today, let us appreciate both its aesthetic appeal and scientific significance. It serves as a reminder of how our understanding of biology has evolved over centuries while acknowledging the vital role women have played throughout history in unraveling nature's secrets.
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