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Claude Audran Collection

Claude Audran, a versatile artist of his time, captivated audiences with his diverse range of works

Background imageClaude Audran Collection: Portrait of Mary, Queen of Scots, c.1550-59 (oil on wood)

Portrait of Mary, Queen of Scots, c.1550-59 (oil on wood)
8617890 Portrait of Mary, Queen of Scots, c.1550-59 (oil on wood) by Anonymous; National Museum, Krakow, Poland; Photo © Fine Art Images

Background imageClaude Audran Collection: Emit Adolf Rossmaessler, 1806-1867, Rossmassler (engraving)

Emit Adolf Rossmaessler, 1806-1867, Rossmassler (engraving)
8632227 Emit Adolf Rossmaessler, 1806-1867, Rossmassler (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Emit Adolf Rossmaessler, 1806-1867, Rossmassler)

Background imageClaude Audran Collection: A Gondola, 1859 (oil on canvas)

A Gondola, 1859 (oil on canvas)
8720971 A Gondola, 1859 (oil on canvas) by Exner, Johann Julius (1825-1910); Statens Museum for Kunst, Copenhagen, Denmark; (add.info.: By Julius Exner With a point of view from inside the gondola)

Background imageClaude Audran Collection: C13644

C13644
4594483

Background imageClaude Audran Collection: A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting)

A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting)
7422862 A mad woman. Detail of Philippe Pinel delivers the insane at La Salpetriere, 1876 (Painting) by Robert-Fleury, Tony (1837-1912); (add.info.: Medicine. Psychology. A mad woman)

Background imageClaude Audran Collection: Study for a portrait (Mrs. Heymann?), c.1892 (pencil with white heightening on buff paper)

Study for a portrait (Mrs. Heymann?), c.1892 (pencil with white heightening on buff paper)
7581940 Study for a portrait (Mrs. Heymann?), c.1892 (pencil with white heightening on buff paper) by Klimt, Gustav (1862-1918); 43.5x28.9 cm; Private Collection; (add.info.: Original title)

Background imageClaude Audran Collection: Grandes et inestimables chroniques du grand et enorme geant Gargantua anonymous work who inspired

Grandes et inestimables chroniques du grand et enorme geant Gargantua anonymous work who inspired Francois Rabelais for
1734780 Grandes et inestimables chroniques du grand et enorme geant Gargantua anonymous work who inspired Francois Rabelais for "Pantagruel" in 1532, engraving by Albert Robida by Robida

Background imageClaude Audran Collection: Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas)

Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas)
JLJ4578331 Panoramic view of the 1867 Universal Exhibition in Paris, 1867 (oil on canvas) by Anonymous; 49x290 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageClaude Audran Collection: View of the city of Seville (Spain), 16th century (oil on canvas)

View of the city of Seville (Spain), 16th century (oil on canvas)
JLJ4650334 View of the city of Seville (Spain), 16th century (oil on canvas) by Sanchez Coello, Alonso (c.1531-88); Museo de America, Madrid

Background imageClaude Audran Collection: Interior of Westminster Abbey (b/w photo) (see also 294192)

Interior of Westminster Abbey (b/w photo) (see also 294192)
CLF294192 Interior of Westminster Abbey (b/w photo) (see also 294192) by Evans, Frederick Henry (1853-1943); (add.info.: main part of present building begun by King Henry III in 1245;)

Background imageClaude Audran Collection: Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of

Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth
2915234 Medieval Knight, Morning Star being readied for Battle. Coloured illustration from the story of Gareth and Lynette from the book The Gateway to Tennyson published 1910

Background imageClaude Audran Collection: Figurine of Frederick the Great on a Horse, from Ludwigsberg (glazed porcelain)

Figurine of Frederick the Great on a Horse, from Ludwigsberg (glazed porcelain)
GLS314043 Figurine of Frederick the Great on a Horse, from Ludwigsberg (glazed porcelain) by German School, (18th century); Glasgow Art Gallery and Museum

Background imageClaude Audran Collection: 3671490

3671490

Background imageClaude Audran Collection: Jesus raising Lazarus from his tomb, 1865-66 (engraving)

Jesus raising Lazarus from his tomb, 1865-66 (engraving)
536428 Jesus raising Lazarus from his tomb, 1865-66 (engraving) by Dore, Gustave (1832-83); (add.info.: John 2:43 From Gustave Dore illustrated Bible 1865-1866)

Background imageClaude Audran Collection: The Dream of a Summer Night

The Dream of a Summer Night
2102108 The Dream of a Summer Night by Scheiner, Artus (1863-1938); (add.info.: Literature. Titania adoring the Ass headed Bottom)

Background imageClaude Audran Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imageClaude Audran Collection: Henry Burton (1578-1648) (engraving)

Henry Burton (1578-1648) (engraving)
865104 Henry Burton (1578-1648) (engraving) by Hollar, Wenceslaus (1607-77) (after); (add.info.: Henry Burton (1578-1648) English Puritan divine

Background imageClaude Audran Collection: Catherine of Navarre, 1468 - 1517

Catherine of Navarre, 1468 - 1517
3116244 Catherine of Navarre, 1468 - 1517.; Private Collection; (add.info.: Queen of Navarre. Hand writing sample and signature.)

Background imageClaude Audran Collection: The Cliff of Aval - Downstream Cliff - Etretat (Normandy, Seine Maritime) circa 1915

The Cliff of Aval - Downstream Cliff - Etretat (Normandy, Seine Maritime) circa 1915
XEE4162910 The Cliff of Aval - Downstream Cliff - Etretat (Normandy, Seine Maritime) circa 1915 by French Photographer (20th century); Private Collection; (add.info)

Background imageClaude Audran Collection: The Excommunication of Emperor Frederic II of Hohenstaufen (1194-1250)

The Excommunication of Emperor Frederic II of Hohenstaufen (1194-1250) in 1245 (Excommunication of Frederick II)
ELD4955105 The Excommunication of Emperor Frederic II of Hohenstaufen (1194-1250) in 1245 (Excommunication of Frederick II)

Background imageClaude Audran Collection: Highland Games at Stamford Bridge (engraving)

Highland Games at Stamford Bridge (engraving)
6016479 Highland Games at Stamford Bridge (engraving) by Dadd, S. T. (fl.1882-1915); Private Collection; (add.info.: Highland Games at Stamford Bridge)

Background imageClaude Audran Collection: Rock waterfall on Reunion Island, 1812 (watercolour)

Rock waterfall on Reunion Island, 1812 (watercolour)
1800638 Rock waterfall on Reunion Island, 1812 (watercolour) by Patu de Rosemont, Jean-Joseph (1766-1818); (add.info.: Patu de Rosemont, colon francais, 1812. Coll. Part.); Photo © CCI

Background imageClaude Audran Collection: The Shaded Terrace, 1890 (oil on card)

The Shaded Terrace, 1890 (oil on card)
896493 The Shaded Terrace, 1890 (oil on card) by Valtat, Louis (1869-1952); 27x35 cm; Private Collection; (add.info.: La Terrasse ombragee. )

Background imageClaude Audran Collection: Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346)

Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346), 1896 (illustration)
7304535 Hundred Years War: Philippe VI of Valois asks for asylum at the Chateau de Broye (1346), 1896 (illustration) by Job, pseudonym for Onfray de Breville

Background imageClaude Audran Collection: The Orator, 1901 (bronze)

The Orator, 1901 (bronze)
1069810 The Orator, 1901 (bronze) by Minne, George (1866-1941); 41.3x39x57.5 cm; Dallas Museum of Art, Texas, USA; The Roberta Coke Camp Fund

Background imageClaude Audran Collection: Mount Vernon Street, Boston, 1919 (w/c on paper)

Mount Vernon Street, Boston, 1919 (w/c on paper)
FIN161407 Mount Vernon Street, Boston, 1919 (w/c on paper) by Hassam, Childe Frederick (1859-1935); 27.6x21.1 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA

Background imageClaude Audran Collection: The prison of Portoferraio, Elba Island, 1896 (oil on canvas)

The prison of Portoferraio, Elba Island, 1896 (oil on canvas)
887276 The prison of Portoferraio, Elba Island, 1896 (oil on canvas) by Signorini, Telemaco (1836-1901); 56x80 cm; Galleria d'Arte Moderna, Palazzo Pitti, Florence, Tuscany

Background imageClaude Audran Collection: Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)

Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper)
7272743 Take no hitofushi, Yaguchi, 1897 (woodblock print, ink & colour on paper) by Chikanobu, Toyohara (1838-1912); 35.9--71.6 cm; Arthur M

Background imageClaude Audran Collection: Healthy skin keeps him on the job c. 1944

Healthy skin keeps him on the job c. 1944
7265328 Healthy skin keeps him on the job c.1944 by American School, (20th century); Private Collection; (add.info.: Federal Security Agency - U.S)

Background imageClaude Audran Collection: Risorgimento: 'The Italian patriot Giuseppe Garibaldi marching triumphantly through the streets of

Risorgimento: "The Italian patriot Giuseppe Garibaldi marching triumphantly through the streets of Naples in
ELD4860464 Risorgimento: " The Italian patriot Giuseppe Garibaldi marching triumphantly through the streets of Naples in 1860"

Background imageClaude Audran Collection: Portrait of General Sir Charles Napier (1782-1853), full-length, seated in an interior

Portrait of General Sir Charles Napier (1782-1853), full-length, seated in an interior
7262409 Portrait of General Sir Charles Napier (1782-1853), full-length, seated in an interior, holding a compass (oil on canvas) by Smart (19th century)

Background imageClaude Audran Collection: Jean-Baptiste Poquelin, aka Moliere (colour litho)

Jean-Baptiste Poquelin, aka Moliere (colour litho)
1728986 Jean-Baptiste Poquelin, aka Moliere (colour litho) by French School, (19th century); (add.info.: Jean-Baptiste Poquelin (15 January 1622 (baptised) - 17 February 1673)

Background imageClaude Audran Collection: La temptation Portrait of young woman (sculpture)

La temptation Portrait of young woman (sculpture)
JEB4870982 La temptation Portrait of young woman (sculpture) by Amy, Jean Barnabe (1839-1907); 50x26x9 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Background imageClaude Audran Collection: Chinese looking glass, York Bedroom, Arundel Castle, carved by J. A. Cuenot, 1750 (mirror glass)

Chinese looking glass, York Bedroom, Arundel Castle, carved by J. A. Cuenot, 1750 (mirror glass)
DON279107 Chinese looking glass, York Bedroom, Arundel Castle, carved by J.A. Cuenot, 1750 (mirror glass, gilded wood & oil on panel) by English School, (18th century); His Grace The Duke of Norfolk

Background imageClaude Audran Collection: Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)

Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
451295 Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imageClaude Audran Collection: Birds on a rowanberry twig, 1865 (oil on canvas)

Birds on a rowanberry twig, 1865 (oil on canvas)
4073739 Birds on a rowanberry twig, 1865 (oil on canvas) by Boe, Frants Diderik (1820-91); 46x56 cm; Private Collection; (add.info.: Fugler pa rognebaergren); Photo © O. Vaering

Background imageClaude Audran Collection: Malvern Hall, Warwickshire, c. 1820-21 (oil on canvas)

Malvern Hall, Warwickshire, c. 1820-21 (oil on canvas)
XYC112302 Malvern Hall, Warwickshire, c.1820-21 (oil on canvas) by Constable, John (1776-1837); 54.6x78.1 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageClaude Audran Collection: Thirlmere and Wythburn, detail, from The English Lake District, 1853 (litho)

Thirlmere and Wythburn, detail, from The English Lake District, 1853 (litho)
STC90427 Thirlmere and Wythburn, detail, from The English Lake District, 1853 (litho) by Pyne, James Baker (1800-70) (after); Private Collection; (add.info)

Background imageClaude Audran Collection: In the Scottish Highlands, 1853-1857 (oil on panel)

In the Scottish Highlands, 1853-1857 (oil on panel)
7140149 In the Scottish Highlands, 1853-1857 (oil on panel) by Cunaeus, Conradyn (1828-95); 51.9 x 70.6 cm; Private Collection; (add.info)

Background imageClaude Audran Collection: Our Lady of Nazare Church (Largo Nossa Senhora da Nazare). Our Lady of Sorrows. Portugal

Our Lady of Nazare Church (Largo Nossa Senhora da Nazare). Our Lady of Sorrows. Portugal
7135933 Our Lady of Nazare Church (Largo Nossa Senhora da Nazare). Our Lady of Sorrows. Portugal.; ePascal Deloche/Godong; out of copyright

Background imageClaude Audran Collection: Tombstone for Louis Sprague, who died in 1696 (stone)

Tombstone for Louis Sprague, who died in 1696 (stone)
1768674 Tombstone for Louis Sprague, who died in 1696 (stone) by American School, (17th century); American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy

Background imageClaude Audran Collection: Regence Gobelins tapestry with the story of Don Quixote, 1717-18 (textile)

Regence Gobelins tapestry with the story of Don Quixote, 1717-18 (textile)
937134 Regence Gobelins tapestry with the story of Don Quixote, 1717-18 (textile) by French School, (18th century); Private Collection; (add.info.: After cartoon by Claude-Antoine Coypel)

Background imageClaude Audran Collection: A Store at Reykjavik, Iceland (engraving)

A Store at Reykjavik, Iceland (engraving)
1602670 A Store at Reykjavik, Iceland (engraving) by English School, (19th century); Private Collection; (add.info.: A Store at Reykjavik, Iceland)



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Claude Audran, a versatile artist of his time, captivated audiences with his diverse range of works. In "The Blackbird Song, " painted around 1908, Audran skillfully captures the essence of nature's melody on canvas. The vibrant colors and intricate brushstrokes bring this enchanting scene to life. Moving from paintings to photography, Audran takes us inside the majestic Westminster Abbey in a black and white photo. This glimpse into history allows us to appreciate the grandeur and architectural marvels within its walls. Audran's talent extends beyond capturing moments in time; he also delves into storytelling through illustrations. In "Medieval Knight, " we witness Morning Star being readied for battle as part of Gareth and Lynette's captivating tale from Tennyson's book, "The Gateway to Tennyson. " The colored illustration transports us back to an era filled with chivalry and heroism. Shifting gears once again, Audran showcases his mastery in sculpting with a glazed porcelain figurine depicting Frederick the Great on horseback. This exquisite piece emanates regality and pays homage to historical figures who left indelible marks on society. Religious themes also find their place in Audran's portfolio as seen in his engraving titled "Jesus raising Lazarus from his tomb. " Through delicate lines etched onto paper, he brings forth the miraculous resurrection story imbued with profound spiritual significance. In contrast to religious motifs, Audran explores dreamscape realms through "The Dream of a Summer Night. " With ethereal hues and whimsical imagery, he invites viewers into a world where imagination knows no bounds. Brereton Hall emerges before our eyes through another monochromatic photograph by Audran. This architectural gem stands tall amidst lush surroundings—a testament to both human craftsmanship and nature's beauty. Westminster Abbey reappears in yet another photograph by Audran—this time showcasing its awe-inspiring nave.