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Acrylic Blox : The Crawlers
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The Crawlers
A beggar paid to look after a baby sitting at the side of a street, circa 1877. From Street Life in London by John Thomson and Adolphe Smith - pub. 1877 (Photo by Hulton Archive/Getty Images)
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John Thomson
Media ID 11802816
© 2004 Getty Images
Baby Beggar Britain British Child Despair Original Poverty Room Format
8"x6" (20x15cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 20.3cm (6" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this poignant print titled "The Crawlers" we are transported back to the streets of London in 1877. Captured by John Thomson and Adolphe Smith, this image is part of their iconic series "Street Life in London". At first glance, we see a young beggar woman sitting on the side of a bustling street. But upon closer inspection, our eyes are drawn to the baby she cradles tenderly in her arms. The contrast between the innocence of the child and the despair etched on the woman's face is striking. This portrait encapsulates a moment frozen in time, revealing not only the harsh realities faced by those living in poverty but also highlighting society's indifference towards them. The black and white format adds depth to this vintage photograph, emphasizing both hopelessness and resilience. As we delve into history through this image, it becomes clear that despite her own struggles, this nameless woman has taken on an unexpected role as caregiver for an innocent life. It serves as a reminder that compassion can be found even amidst dire circumstances. "The Crawlers" stands as a testament to John Thomson's mastery at capturing raw human emotions within his photographs. This original piece transports us back to Victorian Britain and invites us to reflect upon societal inequalities that persist today.
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