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Acrylic Blox : Maesta: The Burial of Christ, 1308-11

Maesta: The Burial of Christ, 1308-11



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£45.83

Resolution may be poor at this size (75 DPI)

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Maesta: The Burial of Christ, 1308-11

XJL62414 Maesta: The Burial of Christ, 1308-11 by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; Italian, out of copyright

Media ID 12920747

© www.bridgemanart.com

Grief Kiss


8"x6" (20x15cm) Acrylic Blox

Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.

Streamlined, one sided modern and attractive table top print

Estimated Product Size is 20.3cm x 15.2cm (8" x 6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This print captures the profound emotion and religious significance of Duccio di Buoninsegna's masterpiece, "Maesta: The Burial of Christ". Painted between 1308-11, this iconic artwork is housed in the Museo dell Opera del Duomo in Siena, Italy. The image showcases a moment of intense grief and mourning as Jesus Christ is laid to rest in his tomb. The composition exudes a sense of solemnity and reverence, with figures surrounding the tomb expressing their anguish through gestures and expressions. The viewer is drawn into the scene by the tender kiss bestowed upon Jesus' lifeless body by one grieving figure. This poignant act serves as a powerful reminder of both human vulnerability and divine sacrifice. Measuring 51x53cm, this print beautifully captures every intricate detail and brushstroke of Duccio's original painting. Its timeless quality transports us back to medieval Italy, allowing us to appreciate the artist's skillful technique and deep spiritual insight. Whether displayed in a home or gallery setting, this print invites contemplation on themes such as mortality, faith, and redemption. It serves as a testament to Duccio di Buoninsegna's enduring legacy as one of Italy's most celebrated painters.

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