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Acrylic Blox : Opening of the Saida railway in Algeria, illustration from Le Petit Journal
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Opening of the Saida railway in Algeria, illustration from Le Petit Journal
XIR267197 Opening of the Saida railway in Algeria, illustration from Le Petit Journal, 18th February 1900 (colour litho) by Belon, Jose (d.1927); 43x30 cm; Private Collection; (add.info.: Inauguration de chemin de fer a Saida, en Algerie; ); French, out of copyright
Media ID 12786315
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Algerian Colonisation Djellaba French Colony Locomotive Moslem North African Official Officials Oriental Pith Helmet Topee Tricolore 1841 1901 Djellabah General Governor Traditional Costume
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the historic moment of the Opening of the Saida railway in Algeria, as illustrated in Le Petit Journal on February 18th, 1900. The vibrant color lithograph by Jose Belon (d. 1927) measures 43x30 cm and is part of a private collection. The image showcases a significant ceremony attended by male officials and dignitaries, symbolizing French colonialism and the process of colonisation. The Algerian flag proudly waves alongside the tricolore, representing both nations' presence during this monumental event. The attendees don an array of attire that reflects their cultural backgrounds and positions. Military uniforms with topees and pith helmets are worn alongside traditional costumes such as djellabas and turbans, creating a fascinating blend of Western influence with oriental aesthetics. Amongst these figures stands Edouard Laferriere (1841-1901), the General Governor who played a crucial role in overseeing this development. His presence signifies not only his authority but also highlights the Islamic heritage prevalent in North Africa. At the heart of this illustration lies the train itself - a powerful locomotive that represents progress, connectivity, and modernity. It serves as a testament to technological advancements brought forth by colonization while simultaneously transforming transportation within Algeria. This remarkable piece offers us insight into an important chapter in history when cultures intertwined through infrastructure development. It reminds us to appreciate both its artistic beauty and historical significance as we reflect upon our shared pasts.
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