Acrylic Blox > Fine Art Finder > Artists > Jean Francois Raffaelli
Acrylic Blox : The Tramp (oil on canvas)
Resolution may be poor at this size (100 DPI)
Mounted Prints from Fine Art Finder
The Tramp (oil on canvas)
XIR222212 The Tramp (oil on canvas) by Raffaelli, Jean Francois (1850-1924); 36x54 cm; Musee Bonnat, Bayonne, France; French, out of copyright
Media ID 12762708
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Homeless Homelessness Hunger Hungry Vagabond Chiffonnier
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Tramp
EDITORS COMMENTS
by Jean Francois Raffaelli is a captivating oil painting that captures the essence of homelessness and poverty in the late 19th to early 20th century. In this thought-provoking artwork, we see a male figure with a long beard, dressed in tattered clothing, sitting on a desolate landscape. The tramp's hat lies beside him as he hungrily devours a piece of bread, his only source of sustenance. Raffaelli skillfully depicts the despair and hardship faced by those living on the fringes of society during this time. The artist's attention to detail is evident in every brushstroke, from the worn-out texture of the tramp's clothes to the barrenness of his surroundings. Through this poignant portrayal, Raffaelli invites us to reflect upon issues such as hunger and destitution that persist even today. The composition exudes an air of melancholy while simultaneously evoking empathy for those experiencing homelessness. It serves as a reminder that behind every faceless statistic lies an individual with their own story and struggles. This print from Fine Art Finder allows us to appreciate Raffaelli's masterful technique up close. As we gaze at "The Tramp" we are transported back in time, compelled to contemplate societal inequalities and our collective responsibility towards those less fortunate.
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