Acrylic Blox > Europe > United Kingdom > England > Somerset > Yeovil
Acrylic Blox : Yeovil, St John The Baptist, Lowndes & Drury, Henry Holiday, Hate, Bestiality & Venom, 1917-18
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Yeovil, St John The Baptist, Lowndes & Drury, Henry Holiday, Hate, Bestiality & Venom, 1917-18
3476031 Yeovil, St John The Baptist, Lowndes & Drury, Henry Holiday, Hate, Bestiality & Venom, 1917-18 by Holiday, Henry (1839-1927); Church of St John the Baptist, Yeovil, Somerset, UK; (add.info.: Yeovil, St John The Baptist, Lowndes & Drury, HH, Hate, Bestiality & Venom, 1917-18); © Alastair Carew-Cox. All rights reserved 2022
Media ID 25899244
© Alastair Carew-Cox. All rights reserved 2022 / Bridgeman Images
Aestheticism Arts And Crafts Pre Raphaelite
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the intricate stained glass window of Yeovil's St John The Baptist Church, created by the talented artist Henry Holiday in 1917-18. The image showcases a remarkable display of artistry and symbolism, depicting themes of hate, bestiality, and venom. The window is an exquisite representation of the Arts and Crafts movement that flourished during the Victorian era. Its aestheticism reflects the influence of pre-Raphaelite ideals, with meticulous attention to detail and vibrant colors. Holiday's masterful craftsmanship is evident in every brushstroke, as he skillfully brings forth a sense of darkness intertwined with beauty. The juxtaposition between delicate figures and sinister imagery creates a thought-provoking atmosphere within this sacred space. As we gaze upon this artwork through Alastair Carew-Cox's lens, we are reminded of the power that art holds to evoke emotions and provoke contemplation. It serves as a reminder that even amidst religious settings, there can be room for exploring complex human experiences such as hatred and cruelty. This print invites us to delve into deeper reflections on our own capacity for both good and evil. It stands as a testament to Holiday's artistic genius while also serving as a profound visual statement about the complexities inherent in human nature itself.
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