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Acrylic Blox : Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour)
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Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour)
651800 Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour) by Dowman, John (1750-1824); 20.6x17.2 cm; Private Collection; (add.info.: Portrait of Sarah Whitmore, Seated by a Column. John Downman (1750-1824). Black chalk, stump and watercolour. Dated 1787. 20.6 x 17.2cm.); Photo eChristies Images; English, out of copyright
Media ID 23294608
© Christie's Images / Bridgeman Images
072012upload 1780s 1787 Architectural Feature Black Chalk British Art British Art On Paper Brown Hair Brunette Chalk Curly Hair Dark Hair Downman Elliptical John Downman Late 18th Century Late Eighteenth Century Neckwear Shape Shaped Water Color Water Colour Welsh Artist 19th Century Painting Apparel Artist British British Artist Ethnic Origin Headwear Portrait Style Portraiture Young Woman
8"x6" (20x15cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 20.3cm (6" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Portrait of Sarah Whitmore, Seated by a Column" is a stunning example of John Downman's artistic talent. Created in 1787 using black chalk, stump, and watercolor techniques, this piece showcases the artist's mastery in capturing the essence and beauty of his subject. Sarah Whitmore sits gracefully beside a grand column, her posture exuding elegance and poise. Her brown hair cascades down in loose curls under a bonnet that adds to her refined appearance. The artist pays meticulous attention to detail as he portrays every nuance of her facial features with precision. The composition is framed within an elliptical shape, adding a touch of uniqueness to the artwork. This choice emphasizes Sarah's presence and draws our focus directly onto her expressive face. The soft colors used in the watercolor technique enhance the overall delicacy and charm of this portrait. As we gaze upon this late eighteenth-century masterpiece, we are transported back in time to an era where fashion played a significant role in defining one's social status. Sarah Whitmore embodies both gracefulness and fashionable attire through her carefully chosen clothing. This remarkable print captures not only Sarah Whitmore but also reflects British art during this period. It serves as a testament to John Downman's skillful portrayal of women from various walks of life while showcasing his expertise in combining different mediums seamlessly. Overall, "Portrait of Sarah Whitmore" stands as an exquisite representation of fine art from the late 18th century – timeless beauty captured on paper for generations to admire.
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