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Acrylic Blox : The Cafe de Commerce, from Tableau de Paris (w / c on paper)

The Cafe de Commerce, from Tableau de Paris (w  /  c on paper)



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The Cafe de Commerce, from Tableau de Paris (w / c on paper)

XIR181004 The Cafe de Commerce, from Tableau de Paris (w/c on paper) by Opitz, Georg Emanuel (1775-1841); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; German, out of copyright

Media ID 12746260

© www.bridgemanimages.com

Bourgeois Reading Newspaper Restaurant Stoking Stove Top Hat


8"x6" (20x15cm) Acrylic Blox

Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.

Streamlined, one sided modern and attractive table top print

Estimated Product Size is 15.2cm x 20.3cm (6" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print transports us back in time to the bustling atmosphere of The Cafe de Commerce, a popular haunt in 18th and 19th century Paris. Painted by Georg Emanuel Opitz, this watercolor on paper beautifully captures the essence of bourgeois society during that era. The scene is alive with activity as patrons engage in various leisurely pursuits. Some are engrossed in intense games of dominoes, while others find solace in reading their newspapers. The elegant interior is adorned with top hats and filled with both male and female figures, showcasing the diversity of this vibrant social hub. Intriguingly, we witness a servant diligently cleaning an oven stove nearby, highlighting the meticulous attention to detail that was characteristic of such establishments. This juxtaposition between leisure and labor adds depth to the composition. Every element within this artwork tells a story - from the animated conversations taking place at each table to the gentle stoking of fireplaces creating warmth throughout. It's as if we can almost hear snippets of conversation and smell freshly brewed coffee wafting through the air. Opitz's masterful brushstrokes transport us into a world where time seems suspended; where people gather not only for sustenance but also for intellectual stimulation and camaraderie. This remarkable piece serves as a window into history, reminding us how even centuries ago, cafes were vital meeting places that shaped society's fabric.

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