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Acrylic Blox : Nat Flatman (1810-60) on his Pony Before the Start of the 1844 Chesterfield Stakes

Nat Flatman (1810-60) on his Pony Before the Start of the 1844 Chesterfield Stakes



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Nat Flatman (1810-60) on his Pony Before the Start of the 1844 Chesterfield Stakes

HOS99653 Nat Flatman (1810-60) on his Pony Before the Start of the 1844 Chesterfield Stakes, 1844 (oil on canvas) by Hall, Harry (1814-82); National Horseracing Museum, Newmarket, Suffolk, UK; English, out of copyright

Media ID 23369328

© Bridgeman Images

Jockey Tired


8"x6" (20x15cm) Acrylic Blox

Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.

Streamlined, one sided modern and attractive table top print

Estimated Product Size is 15.2cm x 20.3cm (6" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Artists > H > Harry Hall

> Arts > Still life artwork > Oil paintings > Portrait paintings

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> Europe > United Kingdom > Paintings

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EDITORS COMMENTS
In this portrait captured by artist Harry Hall, we see the renowned jockey Nat Flatman preparing for the exhilarating 1844 Chesterfield Stakes. The painting, titled "Nat Flatman (1810-60) on his Pony Before the Start of the 1844 Chesterfield Stakes" showcases Flatman's undeniable talent and dedication to his craft. Flatman, known for his tireless spirit and unwavering determination, is depicted here in a moment of quiet contemplation before the race. His weary expression hints at both physical exhaustion and mental focus as he prepares himself for what lies ahead. The artist beautifully captures every detail of Flatman's worn-out face, highlighting the toll that years of racing have taken on him. The composition draws our attention to Flatman's pony, which stands beside him with an air of calmness and loyalty. It serves as a reminder of their deep bond and partnership throughout countless races together. This remarkable piece now resides in the National Horseracing Museum in Newmarket, Suffolk, UK – a fitting home for such an iconic representation of horse racing history. As we gaze upon this painting today, we are transported back to a time when jockeys like Nat Flatman were revered for their skill and bravery on the racetrack.

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