Acrylic Blox > Fine Art Finder > Life Of Christ
Acrylic Blox : Christ the Mediator with Philip the Handsome (1478-1506) and his Entourage, left
Mounted Prints from Fine Art Finder
Christ the Mediator with Philip the Handsome (1478-1506) and his Entourage, left
XIR223222 Christ the Mediator with Philip the Handsome (1478-1506) and his Entourage, left hand panel from an altarpiece (oil on panel) (see also 223221) by Coter, Colijn de (c.1455-c.1540); 112.7x74.4 cm; Louvre, Paris, France; (add.info.: Le Christ mediateur avec Philippe le Beau et sa suite; husband of Joanna the Mad; ); Flemish, out of copyright
Media ID 12765684
© www.bridgemanimages.com
Duc De Bourgogne Duke Of Burgundy Felipe Piety Pious Stigmata King Of Castille Northern Renaissance
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the remarkable artwork titled "Christ the Mediator with Philip the Handsome and his Entourage". Painted by Colijn de Coter, a Flemish artist from the Northern Renaissance period, this oil on panel masterpiece measures 112.7x74.4 cm and is currently housed in the Louvre Museum in Paris, France. The left-hand panel of an altarpiece, this painting depicts Philip the Handsome (1478-1506), accompanied by his entourage, kneeling before Christ. The composition exudes a sense of piety and devotion as Philip pays homage to Jesus, who stands tall at the center of attention. Philip was not only known for being Duke of Burgundy but also as King of Castille and husband to Joanna the Mad. His regal presence is emphasized through his elaborate attire while surrounded by angels that symbolize divine intervention. One cannot help but be drawn to Christ's outstretched arms bearing stigmata wounds—a powerful reminder of his sacrifice for humanity's redemption. This image beautifully captures both religious fervor and political power intertwined during this era. As we admire this stunning piece, let us reflect upon its historical significance within art history—showcasing not only de Coter's exceptional talent but also providing insight into medieval European society where faith and royalty were intricately connected.
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