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Acrylic Blox : Film Poster for John Hustons Under The Volcano (1984)
Mounted Prints from British Film Institute
Film Poster for John Hustons Under The Volcano (1984)
From the celebrated novel by Malcolm Lowery
Albert Finney
Jacqueline Bisset
Anthony Andrews
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 4010921
© BFI
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Image Size (if not cropped) is 13.6cm x 10.1cm (5.4" x 4")
Estimated Product Size is 15.2cm x 10.2cm (6" x 4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this photo print, we are transported back to 1984 when John Huston's film adaptation of Malcolm Lowery's celebrated novel "Under The Volcano" took the cinematic world by storm. The poster exudes a sense of intrigue and sophistication, perfectly capturing the essence of this gripping tale. Albert Finney, Jacqueline Bisset, and Anthony Andrews grace the poster with their remarkable presence, each embodying their respective characters with utmost brilliance. Finney's commanding portrayal as Geoffrey Firmin, a former British consul battling his inner demons in Mexico on the Day of the Dead, is nothing short of mesmerizing. Bisset captivates us as Yvonne Firmin, Geoffrey's estranged wife who desperately tries to reconnect with him amidst chaos and despair. And Andrews shines as Hugh Firmin, Geoffrey's half-brother caught in a tumultuous love triangle. The black tie and dinner jacket worn by these exceptional actors hint at the elegance that lies within this darkly poetic narrative. It serves as a reminder that even amidst tragedy and personal turmoil, beauty can still be found. This print from the British Film Institute not only pays homage to an iconic film but also reminds us of its lasting impact on cinema history. It captures our imagination and beckons us to delve into its intricate layers of emotion and existentialism. As we gaze upon this evocative image, we cannot help but feel drawn into the world created by Huston – a world where passion collides with destruction against
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