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Acrylic Blox : Janet Suzman and Anthony Higgins in Peter Greenaways The Draughtsmans Contract
Mounted Prints from British Film Institute
Janet Suzman and Anthony Higgins in Peter Greenaways The Draughtsmans Contract
Janet Suzman and Anthony Higgins in Peter Greenaways The Draughtsmans Contract (1982)
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 1288264
© BFI - All Rights Reserved
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 10.2cm (6" x 4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this print from the British Film Institute, we are transported back to the mesmerizing world of Peter Greenaway's "The Draughtsman's Contract" (1982). Bathed in a gentle glow, Janet Suzman and Anthony Higgins exude an air of decadence and mystery as they embody their respective characters. Suzman's presence is both commanding and enigmatic. Her poise suggests a woman who holds secrets close to her chest, while her piercing gaze hints at a mind that sees beyond what meets the eye. Opposite her stands Higgins, his demeanor exuding confidence tinged with a touch of arrogance. Together, they form an intriguing duo whose chemistry leaps off the screen. This print captures not only the actors' remarkable performances but also showcases Greenaway's masterful direction. The meticulous restoration has breathed new life into every detail – from the sumptuous costumes to the intricate set design – allowing us to fully immerse ourselves in this visually stunning period drama. Within this frame lies a pivotal moment: perhaps it is during an opulent dinner scene where alliances are formed or broken; or maybe it captures one of many clandestine encounters that shape the narrative. Whatever its context may be, this image serves as a tantalizing glimpse into a film that continues to captivate audiences decades later. As we admire this exquisite photograph, let us celebrate both Suzman and Higgins for their exceptional talent and commend the British Film Institute for preserving such cinematic treasures for generations to come.
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