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The eye according to Hunain ibn Ishaq also called Johannitius (809-873) Baghdad physican

The eye according to Hunain ibn Ishaq also called Johannitius (809-873) Baghdad physican


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The eye according to Hunain ibn Ishaq also called Johannitius (809-873) Baghdad physican

The eye according to Hunain ibn Ishaq also called Johannitius (809-873) Baghdad physican and philosopher. Manuscript c1200

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Media ID 9785041

© Universal History Archive/Universal Images Group

Anatomy Baghdad Iraq Islamic Manuscript Medicine Philosopher Science Twelfth Century Physican


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> Asia > Iraq > Baghdad

> Universal Images Group (UIG) > History > Science


EDITORS COMMENTS
This print showcases the intricate illustration of "The eye according to Hunain ibn Ishaq also called Johannitius" a renowned Baghdad physician and philosopher from the 9th century. Created around the 12th century, this manuscript exemplifies the rich scientific and medical heritage of Islamic culture in Iraq. With its vibrant colors and meticulous details, this artwork takes us on a journey through time, offering a glimpse into the advanced understanding of anatomy during that era. The eye, being one of our most complex organs, is beautifully depicted with precision and accuracy. Hunain ibn Ishaq's work was heavily influenced by Galenism, an ancient Greek medical theory developed by Claudius Galenus. This manuscript serves as a testament to the transmission and preservation of knowledge across different civilizations throughout history. Beyond its scientific significance, this image also highlights the artistic prowess prevalent in medieval Islamic manuscripts. The delicate brushstrokes and harmonious composition demonstrate not only technical skill but also an appreciation for aesthetics. As we admire this remarkable piece of artistry today, let it remind us of the immense contributions made by scholars like Hunain ibn Ishaq in shaping our understanding of medicine and philosophy. It stands as a testament to human curiosity and intellectual progress that transcends time and cultural boundaries.

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