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John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood

John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood


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John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood

John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood. Illustration for the poem The Bishop and the Knight published in The Cornhill Magazine, London, 1862. The Knight penitent before the Bishop who, on hearing his sin, refuses to shrive him. Engraving

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Media ID 9788935

© Universal History Archive/Universal Images Group

1829 1896 1862 Artist Bishop Brotherhood Christian Cornhill Crozier Everett Founder Hearing John Knight Magazine Member Millais Mitre Penitent Poem Pre Raphaelite Published Forgiveness Refuses Repentance


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EDITORS COMMENTS
This print captures a significant moment in the life of John Everett Millais, an influential English artist and founder member of the Pre-Raphaelite Brotherhood. The illustration, created for the poem "The Bishop and the Knight" was published in The Cornhill Magazine in London back in 1862. In this scene, we witness a powerful encounter between a remorseful Knight seeking redemption and a stern Bishop adorned with his mitre. As the Knight confesses his sins to the Bishop, hoping for forgiveness through confession, he is met with unexpected resistance. The engraving beautifully portrays the tension between repentance and judgment as the Bishop refuses to grant absolution. Millais skillfully captures both emotion and detail within this intricate artwork. From every stroke of his pen, one can sense not only religious themes but also profound human struggles with sin and salvation. This piece exemplifies Millais' ability to convey complex narratives through visual storytelling. As we gaze upon this remarkable print from UIG's collection, we are reminded of Millais' lasting impact on art history as well as his role in shaping the Pre-Raphaelite movement. It serves as a testament to his artistic prowess while evoking contemplation about faith, forgiveness, and our own personal journeys towards redemption.

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