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Marble statue of Hermaphrodite asleep, from Rome, Baths of Diocletian
Wall Art and Photo Gifts from Universal Images Group (UIG)
Marble statue of Hermaphrodite asleep, from Rome, Baths of Diocletian
Roman civilization, 2nd century A.D. Marble statue of Hermaphrodite asleep. From Rome, Baths of Diocletian
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Media ID 9512467
Circa 2nd Century Craft Greek Mythology Imperial Age Lying Down Marble Roman Sleeping Archaeological Artifact Hermaphrodite
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> Archeology
EDITORS COMMENTS
This print showcases a stunning marble statue of Hermaphrodite asleep, originating from the Baths of Diocletian in Rome during the 2nd century A. D. The craftsmanship and artistry evident in this ancient Roman sculpture are truly remarkable. Lying down peacefully, the Hermaphrodite exudes an air of tranquility as it rests in eternal slumber. The smoothness and elegance of the marble bring out every intricate detail, highlighting the skillful workmanship that went into creating this masterpiece. As we gaze upon this archaeological artifact, we are transported back to a bygone era, immersing ourselves in the rich history and culture of ancient civilizations. This horizontal composition allows us to fully appreciate the beauty and grace captured within this piece. Rooted in Greek mythology, Hermaphrodite represents both male and female attributes combined into one being. This representation adds depth to our understanding of human identity throughout different periods of time. Displayed indoors with no people around, this photograph invites us to contemplate not only the past but also our own place within history. It serves as a reminder that art has always been a powerful medium for expressing ideas and emotions across generations. Dating back to approximately the 2nd century during the imperial age, this artwork stands as a testament to humanity's enduring fascination with aesthetics and storytelling through visual mediums. Its presence reminds us that even after centuries have passed, these antiquities continue to captivate our imagination today.
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