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Marble statue of Aphrodite of Milos known as Venus de Milo. From Island of Milos, Cyclades, Greece, Greek civilization, circa 100 B. C
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Marble statue of Aphrodite of Milos known as Venus de Milo. From Island of Milos, Cyclades, Greece, Greek civilization, circa 100 B. C
Greek civilization, 2nd century b.C. Marble statue of Aphrodite of Milos known as " Venus de Milo", circa 100 b.C. Height 202 cm. From the Island of Milos, Cyclades, Greece
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Media ID 9510281
Ancient Greece Aphrodite Beauty Breast Damaged Female Likeness Fine Art Statue Goddess Greek Culture Hairstyle Marble Mythology Pedestal Semi Dress Torso Venus De Milo
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This print showcases the renowned marble statue of Aphrodite of Milos, famously known as Venus de Milo. Believed to have been created around 100 B. C. , during the Greek civilization's second century B. C. , this masterpiece stands tall at a height of 202 cm. Originating from the enchanting Island of Milos in the Cyclades, Greece, it is an emblematic representation of ancient beauty and mythology. Despite its damaged state, with missing arms and a broken pedestal, this torso sculpture exudes an undeniable allure. The intricate craftsmanship on display highlights the skill and artistry prevalent in ancient Greece. With her semi-dressed form and flowing hairstyle, Aphrodite embodies grace and elegance. As one gazes upon this single object within the square image frame, it becomes apparent why she has captivated audiences for centuries. Revered as both a goddess in ancient Greek culture and later adopted by ancient Rome, Aphrodite symbolizes love, beauty, and feminine power. Displayed indoors against a plain backdrop accentuates every detail carved into this fine art statue. This photograph captures not only the physical attributes but also evokes emotions associated with classical antiquity. This image provided by Universal Images Group (UIG) offers viewers an opportunity to appreciate the timeless allure of Venus de Milo without any commercial implications or presence of people. It serves as a reminder that even fragmented masterpieces can still possess immense beauty that transcends time itself.
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