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Plague in London, 1625

Plague in London, 1625


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Plague in London, 1625

Plague in London. Title artwork from a 17th century pamphlet on the effects of the plague on London. This pamphlet, A Rod for Run-awayes, by Thomas Dekker, was published in 1625, one of the years in which a plague epidemic broke out. The plague (or Black Death) affected Europe from the 1340s to the 1700s. It is thought to have been bubonic plague, caused by the bacterium Yersinia pestis, and spread by fleas on rats. During a typical outbreak, tens of thousands died in London alone. This artwork shows people dying (left) and people fleeing and being repelled by armed men in the surrounding areas (right). Death (here shown as a skeleton) is standing on a group of coffins, casting arrows at the fleeing people and saying he will follow them. The lightning represents Gods wrath, and London is seen in the background

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6419541

© SHEILA TERRY/SCIENCE PHOTO LIBRARY

1600s 17th Century Afraid Anxiety Anxious Black Death Bubonic Plague Child City Country Side Death Defence Defending Dying Epidemiology Fear Fearful Fleeing Fright Frightened Girl Historical Image History Of Medicine Infected Infection Killing Lightning Lord Migrant Patient Plague Publication Refugee Religion Religious Symbol Symbolic Terrified Town Warning Word Words Writing 1625 Condition Defender Desperate Disorder Keep Out Plague Victim Runaway Runaways


EDITORS COMMENTS
This print titled "Plague in London, 1625" offers a haunting glimpse into the devastating effects of the bubonic plague on the city. Created by Thomas Dekker for his pamphlet "A Rod for Run-awayes" this 17th-century artwork depicts a grim scene that reflects the fear and desperation felt during one of London's plague epidemics. The image showcases two contrasting scenes; on the left, people are shown succumbing to the disease, their bodies weakened and lifeless. On the right, we witness terrified individuals attempting to flee from death's clutches but being met with armed defenders who prevent their escape. Death himself is personified as a skeletal figure standing atop a pile of coffins, casting arrows at those desperately trying to run away. The lightning bolts symbolize God's wrath while providing an ominous backdrop against which London can be seen. This historical illustration serves as a stark reminder of both human vulnerability and resilience in times of crisis. It captures not only the physical toll inflicted by infectious diseases but also highlights societal responses such as defense mechanisms and religious beliefs seeking divine intervention. As we delve into this piece, it becomes evident that it represents more than just an artistic creation; it encapsulates an entire era marked by suffering, loss, and unwavering faith amidst unimaginable adversity.

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