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Early phrenology

Early phrenology


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Early phrenology

Early phrenology. 15th-century woodcut attributed to the German artist Albrecht Durer (1471-1528). It was published in Nuremburg, Germany, in 1498, in a book titled Trilogiam Animae, written by the theologian Lodovicus Pruthenus. The Trilogium Animae is a three-part theological text, mostly concerning the human soul. Parts of the head have been labelled, and it is thought that this is identifying areas of the head responsible for a persons mind and character, a tradition that goes back to the Ancient Greek philosopher Aristotle. Similar ideas would be developed in the late 18th century into the now discredited discipline of phrenology. From The Complete Woodcuts of Albrecht Durer (W. Kurth, 1936)

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Media ID 6419686

© SHEILA TERRY/SCIENCE PHOTO LIBRARY

1400s 15th Century 1936 Albrecht Durer Aristotle Belief Durer German Label Labelled Labels Mystical Mysticism Patient Phrenology Renaissance Superstition Theological Theology Wood Cut 1498 Mono Chrome Phrenological


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EDITORS COMMENTS
This print takes us back in time to the 15th century, showcasing an early form of phrenology. Created by renowned German artist Albrecht Durer, this woodcut is attributed to his exceptional talent. Published in Nuremberg, Germany in 1498 as part of Lodovicus Pruthenus' theological text titled Trilogiam Animae, it delves into the depths of the human soul. The woodcut depicts a male figure with various parts of his head labeled, indicating the belief that specific areas are responsible for one's mind and character. This ancient tradition can be traced back to Aristotle's teachings. Although these ideas would later evolve into the discredited discipline of phrenology during the late 18th century, this artwork serves as a historical testament to humanity's fascination with understanding ourselves. With its mystical aura and intricate details, this illustration captures both curiosity and superstition prevalent during that era. The monochrome presentation adds depth and intensity to every line etched by Durer's skilled hand. As we gaze upon this mesmerizing piece from "The Complete Woodcuts of Albrecht Durer" by W. Kurth (1936), we are transported through time—exploring not only medical history but also theological beliefs intertwined with artistry. It stands as a reminder that our quest for knowledge has always been intricately linked with our desire to understand what makes us uniquely human.

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