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Samuel John Goviers photographic van by an unidentified cottage, presumably in West Cornwall. Early 1900s
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Samuel John Goviers photographic van by an unidentified cottage, presumably in West Cornwall. Early 1900s
Samuel John Govier (1871-1967) was a pioneering photographer in the late 19th and early 20th century in Cornwall. In the early years he travelled on his bicycle or in a horse drawn van before setting up in a studio in Chacewater in 1907. Later, he also had a studio in St Agnes. In retirement he became a grocer in Chacewater where he lived. In retirement he became a grocer in Chacewater where he lived. His father, Samuel Govier, is standing in the van doorway with a dog and his mother, Annie, is facing the cottage. His sister, Bessie (who later became Mrs Bessie Olver) is though to be standing next to the horse and trap on the right hand side of the photograph. Photograph from the Govier family album. Photographer: Samuel John Govier
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : Pgovis.5
Media ID 19600663
© RIC, photographer Govier
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EDITORS COMMENTS
This photograph captures a snapshot of Samuel John Govier's early days as a pioneering photographer in Cornwall during the late 19th and early 20th century. The image showcases Govier's photographic van parked by an enchanting, unidentified cottage nestled amidst the picturesque landscape of West Cornwall. In those early years, before establishing his studios in Chacewater and St Agnes, Govier would travel on his bicycle or rely on a horse-drawn van to reach various locations for his photography endeavors. This particular scene showcases his father, Samuel Govier, standing proudly at the doorway of the van alongside their loyal canine companion. Facing towards the charming cottage is Annie, Govier's mother, while Bessie (later known as Mrs Bessie Olver), believed to be his sister, stands gracefully next to a horse-drawn trap on the right side of the frame. The photograph offers us a glimpse into not only Samuel John Govier's personal life but also provides insight into transportation methods used during that era. It evokes nostalgia for Victorian and Edwardian times when caravans were essential tools for photographers like him who sought to capture moments frozen in time. Preserved within the precious pages of the Govier family album at Royal Cornwall Museum, this remarkable piece serves as a testament to both historical significance and artistic prowess. It encapsulates an era where photography was still finding its footing while showcasing one man's determination to document Cornwall through his lens.
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