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Poster Print : Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)

Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)



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Royal Cornwall Museum

Poster Prints from Royal Cornwall Museum

Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)

Oil on canvas, English School, 1856. A portrait of an elderly woman wearing a bonnet and shawl, seated in a chair. Thomasine Blight (1793-1856), known locally as Tammy Blee, was the best remembered of the pellars or witches of West Cornwall. Sometimes known as a cunning-person or conjurer, she was thought to perform only good deeds, notably the removal of curses of black witches and numerous cures. Even when she was on her death bed people were carried in to see her, some on stretchers. It was said that the sick lay beside her only to rise up and go down over the stairs perfectly cured. She was also known as a fortune teller. Tammys second husband, James Thomas, had similar occult powers and there was considerable rivalry between them. W.J. Chapman was a Cornish portrait painter who was active between 1840-1860. This portrait was painted in the year of Blights death in 1856

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : 1935.2

Media ID 19243518

© RIC

Artist Artwork Black Blue Cornwall Face Green Grey Head Lady Painting Pink Portrait White Woman Yellow Shoulders


A1 (84.1 x 59.4cm) Poster Print

Introducing the Media Storehouse Poster Prints collection featuring the captivating portrait of Tamsin Blight, also known as the White Witch of Helston. This exquisite oil on canvas painting, created in 1856 by the English School, showcases an elderly woman named Thomasine Blight, dressed in a bonnet and shawl, seated comfortably in a chair. The enchanting portrait, held at the Royal Cornwall Museum, invites viewers to delve into the rich history and folklore of Helston, Cornwall. Bring the mystique of this remarkable woman into your home or office with our high-quality, vibrant poster prints. Each print is meticulously produced to preserve the intricate details and authentic colors of the original artwork, ensuring a stunning addition to your decor. Elevate your space with this beautiful and intriguing piece of history.

A1 Poster (84.1 x 59.4cm, 33.1" x 23.4" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 59.4cm x 72cm (23.4" x 28.3")

Estimated Product Size is 59.4cm x 84.1cm (23.4" x 33.1")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This portrait, titled "Tamsin Blight, the White Witch of Helston" captures the essence of a remarkable woman who was revered in West Cornwall. Painted by William Jones Chapman in 1856, this oil on canvas artwork showcases an elderly Tamsin Blight wearing a bonnet and shawl while seated gracefully in a chair. Thomasine Blight, also known as Tammy Blee locally, was renowned for her mystical abilities as a cunning-person or conjurer. Believed to only perform good deeds, she specialized in removing curses cast by black witches and healing various ailments. Even on her death bed, people were brought to witness her powers firsthand – some even carried on stretchers. It was said that those who lay beside her would miraculously rise up cured. Tammy's second husband James Thomas possessed similar occult powers which led to intense rivalry between them. However, it is Tamsin's legacy that remains etched into history as one of the most prominent pellars or witches of West Cornwall. W. J. Chapman skillfully portrays Tamsin's wise and weathered face with intricate details such as lace adorning her attire. The artist's use of colors like green, blue, black, white, grey pink yellow and red adds depth to the painting while capturing the spirit of Cornish culture. Displayed at the Royal Cornwall Museum today, this portrait serves as a testament to Tamsin Blight's enduring reputation and influence within the community during her lifetime.

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