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Framed Print : Jubilee Procession in a Cornish Village, A. G. Sherwood Hunter (1846-1919)
Framed Photos from Royal Cornwall Museum
Jubilee Procession in a Cornish Village, A. G. Sherwood Hunter (1846-1919)
Oil on canvas, Newlyn School, June 1897. This painting is a wonderful record of a lantern procession held to commemorate Queen Victorias Diamond Jubilee in 1897. The women and girls in the procession, all dressed in white and carrying Chinese lanterns, are shown snaking their way through the Cornish fishing village of Newlyn. George Sherwood Hunter was born in Aberdeen and visited Newlyn around the turn of the century. He settled there permanently in 1902 where he taught alongside Stanhope and Elizabeth Forbes at the Newlyn School of Painting. Like many artists associated with the Newlyn School, Hunter was interested in depicting working people around the ports and villages of Cornwall. The painting underwent considerable conservation and restoration in 2010 which meant that, for the first time in over 100 years, the exquisitely painted faces of those in the procession could be seen in all their subtle glory. The delicate beauty in the childrens faces is made more remarkable when one takes into consideration the very limited palette Hunter works with
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : 1000.45
Media ID 18847975
© RIC, photographer Mike Searle
Artist Artwork Blue Boats British Coast Coastal Cornwall Dress English Green Harbour Hats Light Orange Quay Ships Water White Yellow Best Sunday
14"x12" (38x32cm) Modern Frame
Introducing the captivating Framed Print from Media Storehouse's extensive collection, featuring the exquisite painting "Jubilee Procession in a Cornish Village" by A. G. Sherwood Hunter. This masterpiece, hailing from the Newlyn School and dated June 1897, is a stunning record of a lantern procession held in a Cornish village to commemorate Queen Victoria's Diamond Jubilee in 1897. Immerse yourself in the rich history and vibrant colors of this iconic oil on canvas artwork, expertly framed and ready to adorn your walls. A must-have for history enthusiasts and art connoisseurs alike.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 14.5cm (9.6" x 5.7")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This stunning oil on canvas painting by Scottish artist A. G. Sherwood Hunter captures the enchanting scene of a lantern procession held in the Cornish fishing village of Newlyn to celebrate Queen Victoria's Diamond Jubilee in 1897. The women and girls in the procession, dressed in white and carrying intricately designed Chinese lanterns, weave their way through the narrow streets of the village. Born in Aberdeen, Hunter visited Newlyn around the turn of the century and settled there permanently in 1902, where he became a prominent figure in the Newlyn School of Painting. Known for his interest in depicting the working people and communities around the ports and villages of Cornwall, this painting is a testament to his skill in capturing the essence of rural life in the region. The delicate beauty of the children's faces in the procession is particularly noteworthy, all the more remarkable when one considers the limited palette Hunter employs in his work. The painting underwent extensive conservation and restoration in 2010, revealing for the first time in over a century the intricate details and subtlety of the exquisitely painted faces and lanterns. This work of art is a valuable record of a bygone era and a testament to the enduring allure of the Cornish countryside.
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