Framed Print of Harry, Henry Scott Tuke (1858-1929)
Harry, Henry Scott Tuke (1858-1929)
Oil on canvas, Newlyn School, around 1888. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art.
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Framed Print of Harry, Henry Scott Tuke (1858-1929)
Oil on canvas, Newlyn School, around 1888. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered. Tuke often used the same models in his work and painted Harry Cleave several times between 1885 and 1888. Cleave caused Tuke some problems when he converted to Methodism in 1887 and decided he could no longer pose for him. Fortunately Tuke managed to persuade Cleave that posing for artists did not compromise his newly found religious belief
We are proud to offer this print in collaboration with Royal Cornwall Museum
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
© RIC
Media ID 19239906
Artist Artwork Blue Boys Cheeks Face Genre Gray Green Grey Olive Pink Portrait Rosy White Yellow Young
14"x12" (38x32cm) Modern Frame
Our contemporary Framed Prints are professionally made and ready to hang on your wall
30 Day Money Back GuaranteeMade with high-grade materials
Uncropped Image 16 x 24.4cm (est)
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Product Size 32.5 x 37.6cm (est)
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Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Product Code dmcs_19239906_80876_736
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