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Yellow Sands by Eden and Adelaide Philpott

Yellow Sands by Eden and Adelaide Philpott


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Yellow Sands by Eden and Adelaide Philpott

Promotional postcard for Yellow Sands by Eden and Adelaide Philpott. First produced at the Haymarket Theatre, 3rd November 1926. A wealthy dying womans relatives gather, unaware that they have all been cut out of her will. The London production marked the debut of Ralph Richardson. Artist: Charles Buchel Date: 1926

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14250926

© The Michael Diamond Collection / Mary Evans Picture Library

Adelaide Beaches Buchel Eden Haymarket Panto Pantomime Promotional Sand Sands Sandy Seas 1926


EDITORS COMMENTS
Step back in time with this promotional postcard for the 1926 production of 'Yellow Sands' by Eden and Adelaide Philpott at the Haymarket Theatre. The image, painted by Charles Buchel, depicts a sandy beach scene with a group of elegantly dressed individuals gathered on the shore, unaware of the shocking revelation that they have all been excluded from the will of a wealthy and dying woman. This production, which opened on November 3rd, 1926, marked the debut of the renowned actor Ralph Richardson. The 1920s were a golden era for the theatre, and 'Yellow Sands' was a popular and entertaining play that drew large crowds to the Haymarket. The scene on the postcard exudes a sense of tranquility and relaxation, with the golden sands and clear blue sea creating a picturesque backdrop. However, the serious expressions on the faces of the characters hint at the tense and dramatic events unfolding off-stage. The postcard is a beautiful example of the theatrical pantomime art of the 1920s, and it is easy to imagine the excitement and anticipation that audiences must have felt as they gathered to witness the unfolding drama. Whether you are a fan of the theatre, the 1920s, or simply appreciate the beauty of a well-painted image, this postcard is a must-have addition to any collection.

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