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White-crested helmetshrike, Prionops plumatus

White-crested helmetshrike, Prionops plumatus


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White-crested helmetshrike, Prionops plumatus

White-crested helmetshrike, Prionops plumatus, and dusky woodswallow, Artamus cyanopterus.. Handcolored copperplate stipple engraving from Dumont de Sainte-Croixs Dictionary of Natural Science: Ornithology, Paris, France, 1816-1830. Illustration by J. G. Pretre, engraved by David, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault. Jean Gabriel Pretre (1780-1845) was painter of natural history at Empress Josephines zoo and later became artist to the Museum of Natural History

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Media ID 14214653

© Florilegius / Mary Evans

Crested Croix Dictionary Dumont Dusky Gabriel Ornithology Pretre Sainte Stipple Woodswallow


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> Animals > Birds > Passerines > Helmetshrikes And Puffbacks > White Crested Helmetshrike

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EDITORS COMMENTS
This exquisite handcolored copperplate stipple engraving depicts two distinctive bird species native to Africa: the White-crested Helmetshrike (Prionops plumatus) and the Dusky Woodswallow (Artamus cyanopterus). The illustration is taken from the "Dictionnaire de Naturalisie: Ornithologie" by Dumont de Sainte-Croix, published in Paris between 1816 and 1830. The artwork was created by the skilled painter of natural history, Jean Gabriel Pretre (1780-1845), who later became the artist to the Museum of Natural History. The White-crested Helmetshrike is identified by its distinctive white crest, black and white plumage, and long, curved beak. This bird is native to Central and West Africa, and is known for its omnivorous diet and social behavior. The Dusky Woodswallow, on the other hand, is characterized by its dusky brown plumage, long, pointed wings, and distinctive forked tail. This bird is found in open woodlands and savannas across sub-Saharan Africa. It is an insectivorous species that feeds on a variety of insects, which it catches in flight. The intricate detail and vibrant colors of this engraving showcase the beauty and diversity of African avian life during the early 19th century. The use of the stipple engraving technique, which involves the application of tiny dots to create shading and texture, adds to the artwork's depth and realism. The illustration was engraved by David, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault.

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